2009
DOI: 10.1177/1476993x09341489
|View full text |Cite
|
Sign up to set email alerts
|

Orality and the Gospels: A Survey of Recent Research

Abstract: In the last thirty years there have been significant developments in the application of orality studies to the Gospels. The objective of this article is to provide an overview of the field through a survey of its leading proponents, including Werner Kelber, Joanna Dewey, Paul Achtemeier, Peter Botha, Richard Horsley and Jonathan Draper, Kenneth Bailey, James Dunn, Richard Bauckham, David Rhoads and Whitney Shiner. The essay begins with a discussion of several foundational studies, before turning specifically t… Show more

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
3
1

Citation Types

0
6
0

Year Published

2011
2011
2020
2020

Publication Types

Select...
5

Relationship

0
5

Authors

Journals

citations
Cited by 5 publications
(6 citation statements)
references
References 20 publications
0
6
0
Order By: Relevance
“…This theory has been influential in later studies, especially its emphases on ‘the improvisation in performance, the use of formulas and themes, the additive mode, [and] the use of archaic obscure language’ (see De Vet 2008: 161). Still, as Kelly R. Iverson indicates (2009: 74), most recent scholars no longer agree with its ‘sharp distinction between orality and textuality’. However, in the Parry-Lord model, although the singer simultaneously functions as the performer and the composer, it is still argued that the oral and the literary media are not compatible with each other:The written technique, on the other hand, is not compatible with the oral technique, and the two could not possibly combine, to form another, a third, a ‘transitional’ technique.…”
Section: A Review Of Previous Approaches: Bultmann Gerhardsson Kelbmentioning
confidence: 99%
“…This theory has been influential in later studies, especially its emphases on ‘the improvisation in performance, the use of formulas and themes, the additive mode, [and] the use of archaic obscure language’ (see De Vet 2008: 161). Still, as Kelly R. Iverson indicates (2009: 74), most recent scholars no longer agree with its ‘sharp distinction between orality and textuality’. However, in the Parry-Lord model, although the singer simultaneously functions as the performer and the composer, it is still argued that the oral and the literary media are not compatible with each other:The written technique, on the other hand, is not compatible with the oral technique, and the two could not possibly combine, to form another, a third, a ‘transitional’ technique.…”
Section: A Review Of Previous Approaches: Bultmann Gerhardsson Kelbmentioning
confidence: 99%
“…In a recent publication in Currents in Biblical Research , Kelly Iverson has provided an encompassing overview and introduction to the theory and application of orality studies as they relate to the canonical gospels (Iverson 2009). Iverson traces the origins of orality studies and the gospels to the pioneering oral-formulaic work of Milman Parry (1930, 1932, 1933) and Albert Lord (1960, 1978, 1981).…”
Section: Orality Studiesmentioning
confidence: 99%
“…Iverson traces the origins of orality studies and the gospels to the pioneering oral-formulaic work of Milman Parry (1930, 1932, 1933) and Albert Lord (1960, 1978, 1981). He also notes that the methodological and sociological work of Eric Havelock (1963) and Walter Ong (1982) has been monumentally influential in NT orality studies (Iverson 2009: 74-77). The majority of Iverson’s review, however, addresses NT interpreters who utilize orality criticism and performance criticism to interpret NT—and particularly gospel—texts: Werner Kelber (1983), Joanna Dewey (1989), Paul Achtemeier (1990), Pieter Botha (1991), Richard Horsley and Jonathan Draper (1999), Kenneth Bailey (1991), James Dunn (2003a, 2003b), Richard Bauckham (2006), David Rhoads (2006, 2006b), and Whitney Shiner (2003).…”
Section: Orality Studiesmentioning
confidence: 99%
See 1 more Smart Citation
“… 35 See Rhoads 2006; Iverson 2009; Robbins 1995. Acknowledging that orality and literacy interact on a continuum, Robbins prefers to call New Testament culture a “rhetorical culture.” …”
mentioning
confidence: 99%