1997
DOI: 10.2307/431818
|View full text |Cite
|
Sign up to set email alerts
|

Organicism in Nineteenth-Century Architecture: An Inquiry into Its Theoretical and Philosophical Background

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1
1
1
1

Citation Types

0
8
0
6

Year Published

1999
1999
2023
2023

Publication Types

Select...
7
1

Relationship

0
8

Authors

Journals

citations
Cited by 12 publications
(14 citation statements)
references
References 0 publications
0
8
0
6
Order By: Relevance
“…Generations of craftsmen, architects and designers have been inspired by nature's creativity [30][31][32][33][34][35]. Amongst other natural phenomena, life forms were particularly interesting to humans and since the emergence of biology in the early 19 th century, many designers have been inspired by its discoveries (see van Eck [36] for a discussion of the 19 th -century "organicism" or Steadman [29] for a general overview of biological analogy in architecture). Some interpreted biological motifs aesthetically, as ornaments and decorations.…”
Section: Discussionmentioning
confidence: 99%
“…Generations of craftsmen, architects and designers have been inspired by nature's creativity [30][31][32][33][34][35]. Amongst other natural phenomena, life forms were particularly interesting to humans and since the emergence of biology in the early 19 th century, many designers have been inspired by its discoveries (see van Eck [36] for a discussion of the 19 th -century "organicism" or Steadman [29] for a general overview of biological analogy in architecture). Some interpreted biological motifs aesthetically, as ornaments and decorations.…”
Section: Discussionmentioning
confidence: 99%
“…Of course, the organicist style was a form of aesthetics itself, with a rich history reaching back, as Caroline van Eck has argued, into the classical era via the Renaissance. 52 Barry was himself a classicist, yet Reid's organicism was more functional than this (Vitruvian) tradition, and as such he seems to have given little thought to how his system would affect the overall design of the Palace as a classical structure with Gothic detailing. Barry 'held regularity and symmetry as main principles of design', 53 and so any small changes that were (frequently) proposed by Reid required modifications to be considered for the building as a whole -a major undertaking in a complex architectural plan.…”
Section: Splintering Controlmentioning
confidence: 97%
“…Organicism was originally derived from Wrights philosophies in architecture and town planning, where organic layouts or designs are part of centuryold paradigms emphasising architectural flexibility and freedom. Organic designs are also defined as components of a philosophy which promotes harmony between human habitation and nature [12][13][14][15][16]. According to Steffes et al [17] this philosophy can be applied to several architectural aspects and settlement layouts.…”
Section: Object Detection Strategy: the Organic Perspectivementioning
confidence: 99%