Orientalism, the Body, and Cultural Politics in Israel: Sara Levi Tanai and the Inbal Dance Theater

Roginsky, Dina

doi:10.2979/nas.2006.-.11.164

Cited by 4 publications

(2 citation statements)

References 3 publications

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“…The company was founded in 1949 to safeguard the rich heritage of Yemenite Jews. See: Roginsky (2006). 7…”

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confidence: 99%

Shared Heritage Revisited

2024

Cultural Heritage Studies

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Culture is constructed, negotiated, managed, and shared by various ideological, political, and moral reasonings which manifest themselves tangibly and intangibly in public monuments, architecture, memorial sites, theaters, museums, orchestras, and heritage associations. The contributions to this volume explore the intersection of cultural heritage and nationality in societies that are characterized by national, multi-national, and post-national concepts. They question the roles that cultural heritage plays in its various contexts, and the ways in which ideology functions to produce it.

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“…The company was founded in 1949 to safeguard the rich heritage of Yemenite Jews. See: Roginsky (2006). 7…”

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confidence: 99%

Shared Heritage Revisited

2024

Cultural Heritage Studies

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“…With this claim, Rossen situates her new book boldly within an exciting new wave of dance scholarship that is exploring the intersections between movement and Jewish identity. Writers such as Hannah Kosstrin (2011), Dina Roginsky (2006), Janice Ross (2015), Nina Spiegel (2013), Henia Rottenberg (2004), and Hannah Schwadron (2013) are some of the predominantly female voices shaping this new discourse. They are interested in shifting the discussion away, as Rossen states it, from a traditional question of “what is Jewish dance?”—which suggests a static, fixed, universal, trans-historical response—to the question of what it means to be perceived as “dancing Jewish.” For Rossen, this move entails considering the “artistic, ideological, political, and racial implications of this term over time” (3), and recognizing that it “embraces the fluidity and complexity of Jewish identity” (2).…”

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confidence: 99%