2016
DOI: 10.1108/s2051-229520160000002001
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Out of the Blue: Teaching Creativity and Entrepreneurship through Flashmobs

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Cited by 6 publications
(4 citation statements)
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“…Past calls to consider creative design (Cox, 2005;Penaluna and Penaluna, 2008;Neck and Greene, 2011;Levick-Parkin, 2014) have in turn led to further calls that those who are experienced in developing innovative assessment strategies 'need to continue their efforts' (Pittaway and Edwards, 2012, p 793). This discourse thus moves away from the perception that disciplines 'tend to be considered discretely with the other either ignored or presumed' (Tunstall et al, 2012).…”
Section: Methodsmentioning
confidence: 97%
“…Past calls to consider creative design (Cox, 2005;Penaluna and Penaluna, 2008;Neck and Greene, 2011;Levick-Parkin, 2014) have in turn led to further calls that those who are experienced in developing innovative assessment strategies 'need to continue their efforts' (Pittaway and Edwards, 2012, p 793). This discourse thus moves away from the perception that disciplines 'tend to be considered discretely with the other either ignored or presumed' (Tunstall et al, 2012).…”
Section: Methodsmentioning
confidence: 97%
“…The purpose of this paper is to address this gap by putting forth a theoretical mechanism to understand how cross-cultural experience, in general, can be a potent catalyst for nascent entrepreneurship. Integrating and extending the growing multidisciplinary research on multicultural experience, this paper focuses on how sensing capabilities emergesuch as the capacity to be creative and spot opportunities which are particularly salient to the ideation and exploration phase of venturing (Teece, 2012;Tunstall et al, 2016). Specifically, we ask the question: how and when does cross-cultural experience develop entrepreneurial sensing capabilities?…”
Section: Cross-cultural Experience and Entrepreneurs 203mentioning
confidence: 99%
“…Sharma [70] stated that training management was initially associated with individual limitations such as training costs and perceptual anxieties of nontraining organizations. It was also oriented to improve individual skills [71] and contribute to human resource practice [72], such as teaching creativity [73][74][75]. Practical training is one of the interventions that can encourage improvements in teaching creativity [76] and thinking skills [77][78][79][80].…”
Section: Theoretical Background and Hypothesis Developmentmentioning
confidence: 99%