P

Newman, Peter; Milgate, Murray; Eatwell, John

doi:10.1007/978-1-349-11721-5_3

Search citation statements

Order By: Relevance

Paper Sections

Select...

The Old Tradition: Ocean Fish As Common Property1

No One Nowhere Nowhen1

Citation Types

Supporting

Mentioning

Contrasting

Year Published

2011

2023

Publication Types

Select...

Book2

Article1

Relationship

Self Cite0

Independent3

Authors

Journals

Cited by 3 publications

(2 citation statements)

References 315 publications

Supporting

Mentioning

Contrasting

Order By: Relevance

“…Feeding into this tradition is what may be called the “property rights school” of economics represented by Alchian (1965), Demsetz (1967), Cheung (1970, 1987, 1990, 1991, 1992) and their followers. 3…”

Section: The Old Tradition: Ocean Fish As Common Propertymentioning

confidence: 99%

From fish to land grabbing - a note on the transition of the concept of “common property” in property rights research under two traditions

Lai

2023

Planning Theory

View full text Add to dashboard Cite

This essay begins with a trialogue on the definitions of “common property” and introduces two “traditions” of interpreting property rights. The older, traced to Gordon (1954) and propagated by Cheung (1970), distinguishes common from communal property; the younger, to Ciriacy-Wantrup & Bishop (1975) and made popular by Ostrom (2000), calls “commons” (communal in the sense of the older tradition) “common property. With the help of three matrices, the essay summarises the two traditions and explains that property rights and access are two distinct dimensions, respectively de jure and de facto, of resource enjoyment.

show abstract

Section: The Old Tradition: Ocean Fish As Common Propertymentioning

confidence: 99%

From fish to land grabbing - a note on the transition of the concept of “common property” in property rights research under two traditions

Lai

2023

Planning Theory

View full text Add to dashboard Cite

show abstract

“…95 Indeed, to believe Barnett Newman, 'we are freeing ourselves-the impediments of memory, association, nostalgia, legend, myth, and what have you, that have been the devices of western European painting'. 96 Since memory comprises pretty much all of culture, perhaps minimalism was primitivism redux: civilization rebooted from scratch. But it was also about transcending man-the old anthropocentric conceit that minimalists wanted to extinguish by eliminating narrative intention, exposition, tension, resistance, or resolution.…”

Section: No One Nowhere Nowhenmentioning

confidence: 99%