Painted textiles: knowledge and technology in the Andes

Barnard, Hans; Boytner, Ran; Khandekar, Narayan; Schleicher, Marissa

doi:10.1080/00776297.2016.1239831

Cited by 8 publications

(4 citation statements)

References 44 publications

Supporting

Mentioning

Contrasting

Unclassified

Order By: Relevance

“…Only a few of them have widened the analyses of the dyes and focused on the mordants [50,51,54,67,68,70]. Some investigations have approached the painted textiles, a rarely addressed subject [71,72]. From an analytical perspective, they applied chromatographic or spectrometric techniques including gas chromatography-mass spectrometry (GC-MS), high-performance liquid chromatography with diode array detectors (HPLC-DAD) and/or mass spectrometry (HPLC-MS), direct analysis in real time mass spectrometry (DART-MS), which albeit sensitive are destructive methods [3, 48-50, 53, 54, 56-60, 62-64, 66, 70].…”

Section: Introductionmentioning

confidence: 99%

Colors and dyes of archaeological textiles from Tarapacá in the Atacama Desert (South Central Andes)

et al. 2021

View full text Add to dashboard Cite

This work concerns the study of colors and dyes identified on archaeological textiles from the Atacama Desert. The different garments and ornaments come from the excavation of two important pre-Columbian cemeteries of the Tarapacá region: Tarapacá-40 attributed to the Formative period (1100 BC–660 AD) and Pica-8 to the Late Intermediate period (900–1450 AD). For the first time, a multi-analytical approach with non-invasive techniques using FORS and SERS was applied on samples of less than 2 cm of length for physicochemical characterization of the raw materials and the dyes employed in the textile production of northern Chile. The fibers are from animal origin. Blue, green, and yellow are identified as indigo, but we cannot discard a mixture with other dyes to vary hue and shade; while carminic acid and alizarin—to a lesser extent—are found on red, orange, and brown samples. This research provides new elements for the discussion about the textile technology developed in this desertic region, its changes, and continuities along the history. Our results are compared to recent findings on neighboring regions from South-Central Andes, to improve the current knowledge and discuss the existence of dyeing textile cultural traditions.

show abstract

Section: Introductionmentioning

confidence: 99%

Colors and dyes of archaeological textiles from Tarapacá in the Atacama Desert (South Central Andes)

et al. 2021

View full text Add to dashboard Cite

show abstract

“…Tekstil yang dicat dibuat menggunakan berbagai pigmen dan biasanya ditampilkan lebih dari satu warna. Untuk mencapai palet warna yang luas, pigmen dan mordan dicampur pada rasio yang berbeda untuk menghasilkan rentang warna dan corak yang mengesankan [8]. Pertama, memunculkan ide/gagasan.…”

Section: Hasilunclassified

Pelatihan Kewirausahaan Bidang Fashion Pada Pelajar SMK Bhakti Nusantara: Seni Lukis Kain

Pandansari

Purwanti

Fauzi

2023

JMM

View full text Add to dashboard Cite

The target and outcome of this community service activity are to provide skills training using cloth painting techniques that can be practiced easily, with the finished product being t-shirts that can be used daily, and have selling power as a business product. The training approach uses simulation and practicum methods, as well as discussions on fashion themes that will be applied to clothing. After the training activities, Student XI of the Vocational High School of SMK Bhakti Nusantara, showed their interest and talent in the fashion field, combined by a good knowledge of painting techniques on cloth media.

show abstract

“…Most pre-Hispanic textiles from the northern region of Peru were made from cotton fibers [2], decorated with pigments, or dyed with dyes. In ancient Peru, minerals were exploited as pigments [3].…”

Section: Introductionmentioning

confidence: 99%

Morphology, composition and structure of the fibers of a Chimu culture textile

Valverde-Alva

Agreda-Delgado

Aldama-Reyna

et al. 2022

Momento

View full text Add to dashboard Cite

In this work we studied the microfibers of a textile (T-shirt) of the Chimú culture. This culture developed on the northern coast of Peru. To determine the raw material and structural quality of the microfibers, the results of the Chimú textile were compared with the corresponding results for the microfibers of cotton from the northern coast of Peru (native cotton). Scanning electron microscopy images revealed that the Chimú textile yarns are composed of a set of interwoven microfibers. Energy dispersive X-ray spectroscopy and pulsed laser-induced plasma spectroscopy techniques allowed the identification of characteristic cellulose atoms in the microfibers of Chimú textile and native cotton. Only for the Chimú textile, these spectroscopic techniques allowed the identification of atoms corresponding to natural dyes and powder residues. Attenuated total reflection Fourier transform infrared spectroscopy identified the same molecular bonds for the microfibers of Chimú textile and native cotton. For the microfibers of Chimú textile and native cotton, the X-ray diffractograms showed peaks characteristic of the cellulose Iβ polymorphism of of monoclinic P21 structure. The raw material of the Chimú textile is cotton and the microfibers of this material show significant structural stability.

show abstract

Painted textiles: knowledge and technology in the Andes

Cited by 8 publications

References 44 publications

Colors and dyes of archaeological textiles from Tarapacá in the Atacama Desert (South Central Andes)

Colors and dyes of archaeological textiles from Tarapacá in the Atacama Desert (South Central Andes)

Pelatihan Kewirausahaan Bidang Fashion Pada Pelajar SMK Bhakti Nusantara: Seni Lukis Kain

Morphology, composition and structure of the fibers of a Chimu culture textile

Contact Info

Product

Resources

About