Panji in Javanese court literature and beyond

Kumar, Ann

doi:10.17510/wacana.v21i1.889

Cited by 4 publications

(4 citation statements)

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“…After this agreement, Prince Mangkubumi proclaimed himself as The King of Ngayogyakarta under the name of Sri Sultan Hamengkubuwono I and founded the Yogyakarta Keraton (Ratnawati & Santoso, 2021). While Pakubuwono II founded Surakarta Kasunanan under the name Sri Susuhanan Pakubuwana II (Fauzia, 2019;Kumar, 2020). The title Sri' in these two palaces as King and also as a religious leader called Panata Gama ), and the palace is as a spiritual center that guides people's morals to get to know Islam (Wessing, 2003;Woodward, 2011a).…”

Section: Resultsmentioning

confidence: 99%

The Acculturation Dynamics of the Sekaten Tradition in Modern Indonesia

Karim

Raya

2022

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This article examines the socio-religious dynamics behind the traditional sekaten held by two large palaces (keraton) of Javanese (Surakarta keraton and Yogyakarta keraton). This phenomenon is unique. Sekaten is a local traditional cultural performance, which combines Islam with Javanese culture. The current dynamics of acculturation make tourism opportunities. Using a qualitative approach and historical and ethnographic methods, data were collected through in-depth observations during the sekaten celebration at the Yogyakarta Palace. The results indicate that in the past the sekaten tradition functioned as a ‘religious institution’, which made the Surakarta palace and the Yogyakarta palace the two symbols of the strongest Islamic empire in Java. This research contributes that the local Islamic tradition in the past has undergone a paradigm shift, although the tradition has been preserved until the modern era. In the modern context, local cultural traditions have changed and created economic value through cultural tourism destinations supported by local governments. Keywords: sekaten, local traditions, Islam, dynamics, commodities

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Section: Resultsmentioning

confidence: 99%

The Acculturation Dynamics of the Sekaten Tradition in Modern Indonesia

Karim

Raya

2022

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“…At the end of the war, victory is on the side of Raden Panji Asmarabangun. Finally, Raden Panji Asmarabangun and Dewi Sekartaji reunited (Kumar 2020).…”

Section: The Variety Of Sekartaji Mask Performances In Surakartamentioning

confidence: 99%

“…To avoid war, Panji Asmarabangun, also known as Panji Inukertapati from the Kingdom of Jenggala Manik Kediri, left the palace disguised as a commoner. Sekartaji, also named Galuh Candra Kirana, heard the news of the departure of Panji Asmarabangun and disguised himself as a figure under the protection of the gods (Kumar 2020). Almost all versions bring together Panji Asmarabangun with Galuh Candra Kirana in disguise at the end of the story.…”

Section: Introductionmentioning

confidence: 99%

Sekartaji Mask Ballet in Surakarta

Darmasti

Prihantoro

Suharji

et al. 2021

Gelar.Jurnal.Seni.Budaya

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ABSTRAKSendratari Topeng Sekartaji merupakan tari tradisi garapan baru yang diilhami oleh Serat Panji yang ditulis pada Jaman Jenggala Kediri abad XI-XII. Tujuan penelitian Sendratari Topeng Sekartaji adalah untuk menggali kreativitas tari di sekitar Surakarta serta menemukan bentuk dan elemen-elemen pendukungnya. Metode penelitian yang digunakan meliputi pengumpulan data dengan tekhnik observasi, wawancara dan dokumentasi. Pengolahan data dilakukan dengan tekhnik analisis bentuk dan struktur. Evaluasi validitas data dengan tekhnik trianggulasi. Penelitian menggunakan pendekatan antropologi seni yang beranggapan bahwa karya seni merupakan ekspresi karya seniman. Hasil penelitian menunjukan Sendratari Topeng Sekartaji merupakan karya tari kelompok bertema percintaan sebagai ungkapan kreativitas seni yang popular pada zaman akhir orde lama dan awal orde baru. Sendratari dalam kurun waktu, dipentaskan dengan berbagai variasi sesuai dengan pendukung, situasi dan kondisi serta waktu yang disediakan. Bentuk kreativitas seni dapat berupa frahmen, pethilan, tari tunggal dan yang paling utama adalah sendratari. Tata urutan sajian tergantung pada bentuk pertunjukanya. Gerak tari pada tokoh antagonis berupa gagahan gaya Surakarta, tokoh protagonis dengan alus luruh, sedang tari putri dengan putri luruh. Pada akhir pertunjukan selalu bermuara kepada keberhasilan hubungan cinta kasih. Kunci: sendratari, topeng, sekartaji, Surakarta.ABSTRACTThis research entitled “Sendratari Topeng Sekartaji” proposed exploring dance creativity in Surakarta and finding its formats and support elements. This research used data collection with techniques such as observation, interview and documentation as the research method. Data is processed by the technique of format and structure analysis. The technique of triangulation is used as a technique to evaluate data. This research used an art anthropological approach. It is assumed that an artwork is an expression of an artist’s work. Research results showed that Sendratari Topeng Sekartaji is a colossal dance with a romance theme. It was a representation of artwork that has been popularized since the end of the old order and early new order. During that time, sendratari has presented narratively, according to situation, condition and support elements. Art creativity manifested into fragment “pethilan”, single dance and especially “sendratari”. Its arrangement for presentation depends on its performance format. They have “gagahan” in Surakarta style for their dance moves, “alus luruh” and “putri lurah” for antagonist, protagonist, and female dance, irrespectively. The last performance always refers to romantic relationship successfully.Keywords:Sendratari Topeng; Sekartaji; Surakarta

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“…Wayang beber is the oldest wayang found in Indonesia; even various kinds of literature mention that it is older than wayang kulit. This wayang is one type of wayang that is located in the Java area, made from paper and drawn according to story scenes and staged in the form of a picture show that is stretched in the form of pictures or scrolls that distinguishes each scene/event in the story that is carried by folklore, namely stories Panji [10]. On the other hand, art based on tradition, such as batik and wayang beber, still rely on manual technology that relies on the creator's expertise or skill.…”

Section: Introductionmentioning

confidence: 99%

The process of making batik wayang beber using digital canting with sungging painting coloring technique

Sudarwanto,

Priyanto

2022

Int. J. Vis. Perform. Arts

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This article carries the application of creating wayang beber patterns with sinjang batik techniques. This research aims to answer the endless question regarding the variation of batik patterns. Batik patterns are not only used in clothing but also as decoration. In this case, batik is used as decoration with wayang beber patterns using batik painting techniques. The research was carried out by making an example of a model, starting with looking for possible utilization by using a design from a computer graphics program. The research scope is limited by the creation of the wayang beber patterns and their application. The steps of designing are to create a prototype model, starting with conducting emic and ethical research. The next step is contemplating the whole pattern development design using digital technology. This is done by looking for suitability based on aesthetic principles and followed by pencantingan using the SGL-4332 series digital batik canting machine. For the final step, colouring is carried out using the batik painting technique, which is done manually using the rules of sungging gradation. This research produced a prototype model of wayang beber creation with batik techniques, which can be used by batik craftsmen to bring out new innovations in their work

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Panji in Javanese court literature and beyond

Cited by 4 publications

References 0 publications

The Acculturation Dynamics of the Sekaten Tradition in Modern Indonesia

The Acculturation Dynamics of the Sekaten Tradition in Modern Indonesia

Sekartaji Mask Ballet in Surakarta

The process of making batik wayang beber using digital canting with sungging painting coloring technique

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