The progenitor of cyberpunk, William Gibson, in his anthology of short stories titled Burning Chrome, meticulously crafts a portrayal of human survival within a nearfuture world characterized by the paradoxical juxtaposition of advanced technology and societal degradation encapsulated by the adage "high-tech, low-life." This paper converges its analytical lens on the narrative's delineation of alienated corporeal manifestations, fragmented mnemonic constructs, and the disillusionment of utopian aspirations. Under the pervasive infiltration of capitalist hegemony, the human body metamorphoses into vessels, symbols, and offerings, becoming integral to the construction and functioning of the societal fabric. Manipulated through the agency of information technology, the fragmentation and rupture of individual memories instigate the attenuation of emotional resonance and the perturbation of identity. At the same time of the disintegration of subjectivity, human hope is directed to the futile pursuit of conceptualization and utopia. Gibson's introspective reflections and metaphorical allusions to contemporary authenticity stand out through a careful exploration of the collective dilemmas facing humanity in an urgent socio-cultural environment.