Participation in cultural legislation

Kaitavuori, Kaija

doi:10.1080/10286632.2019.1656202

Cited by 7 publications

(4 citation statements)

References 18 publications

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“…The article provides an overview of the participatory process as part of Finland's remodeling of arts funding legislation. Kaitavuori (2020) states that the robust and detailed engagement process for the legislation proved to be inadequate. Despite the numerous points of public input in the process, the lasting impact from consultation was more of a "placebo effect" that helped engaged stakeholders navigate their feelings towards change and transition.…”

Section: Figure 1 the Culturalized Planning Modelmentioning

confidence: 99%

“…Despite the numerous points of public input in the process, the lasting impact from consultation was more of a "placebo effect" that helped engaged stakeholders navigate their feelings towards change and transition. Kaitavuori (2020) suggests that meaningful public engagement often requires organizational structures and institutional habits changes; both of which the Finnish government never planned to explore.…”

Section: Figure 1 the Culturalized Planning Modelmentioning

confidence: 99%

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Integrating Equity, Diversity, and Inclusion Into Canadian Cultural Planning

Dantes

2024

Preprint

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Cultural planning practice in Canada is under-researched leaving the field difficult to define, scope, and process. Culture, as a concept, is not universally defined across Canadian cultural planning allowing culture plans and related planning processes to vary immensely. Without a universal definition, it is difficult to determine how equity, diversity, and inclusion (EDI) can be integrated into the practice. Nonetheless, an analysis of 13 culture plans across Canada reveal that EDI has become a more prevalent topic within culture plans in recent years. This analysis sparks a preliminary definition of culture and the role of culture planning in Canada through six jurisdictions of practice including: (1) arts planning, (2) urban planning & design, (3) heritage planning & conservation, (4) planning for diversity, (5) intercultural placemaking, and (6) community cultural development. The research also offers a suite ofrecommendations for cultural and urban planners to advance EDI in planning practice.

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Section: Figure 1 the Culturalized Planning Modelmentioning

confidence: 99%

Section: Figure 1 the Culturalized Planning Modelmentioning

confidence: 99%

Integrating Equity, Diversity, and Inclusion Into Canadian Cultural Planning

Dantes

2024

Preprint

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“…To gain specificity, an interesting case study from Finland also shows how process impacts how culture is planned (Kaitavuori, K., 2020). The article provides an overview of the participatory process as part of Finland's remodeling of arts funding legislation.…”

Section: Figure 1 the Culturalized Planning Modelmentioning

confidence: 99%

Integrating Equity, Diversity, and Inclusion Into Canadian Cultural Planning

Dantes

2024

Preprint

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“…This leads to a strengthening of ties in the organisation's environment, resulting in a stronger identification with the organisation, and thus increasing the importance of the museum itself within a social environment. This leads museums towards new avenues of engagement with their audiences, facilitating the exchange of ideas and thoughts, and opening up the possibility of creating an organisation that learns from its audiences, uses their ideas, and, as a further consequence, actually implements the idea of active participation [26][27][28][29], involving audiences in the creation of new exhibitions and events [30] (p. 115).…”

Section: The Literature Reviewmentioning

confidence: 99%

Museums without Visitors? Crisis of the Polish Museums during the COVID-19 Pandemic and Their Revival under the Digital Experience Offer

Gaweł

2023

Sustainability

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Museums, as many other organisations, froze during the lockdown. Museums offer insights into varying cultures and since no forms of culture can sustain without the engagement of audiences, participants, or visitors, the lockdown forced by the pandemic compelled museum authorities to look for new ways to reach audiences and establish relationships with them, thereby facilitating previously untapped forms of cultural participation. This worldwide experience of the pandemic undoubtedly accelerated the digital transformation of the entire cultural sector. To what extent these new opportunities have changed the forms of participation in the cultural realm remains an open question. This current research carried out in some of the largest Polish museums allowed us to conclude that the pandemic period saw a significant leap forward in terms of the involvement of digital technologies in popularising museum collections, as well as in seeking contact with audiences at various levels. At the same time, the reopening of museums resulted in increased attendances on an unprecedented scale. It could be said that the pandemic made us realise how global threats can, in a short span of time, take away the possibility of enjoying traditional forms of cultural participation, but at the same time enable the development of digital technologies that can significantly contribute to the popularisation of museum collections or exhibitions. This research was designed to find out whether museum audiences wanted a change in the way they experience the collections and exhibitions held in museums, and whether the digital experience created during the pandemic was attractive enough to compete with a personal visit to an art gallery. The results of the research clearly indicated that despite the rich digital experience offered in Polish museums, viewers still stated a desire to return to a “real museum”. The pandemic allowed the museum authorities to learn novel administration techniques and numerous technological solutions that were previously never used have now become a permanent feature of regular museum operations. However, the reaction of the audiences after the lockdown was clear: they still wanted to enjoy traditional forms of cultural participation, valuing above all the possibility of personal contact with an original work of art in a museum gallery.

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Participation in cultural legislation

Cited by 7 publications

References 18 publications

Integrating Equity, Diversity, and Inclusion Into Canadian Cultural Planning

Integrating Equity, Diversity, and Inclusion Into Canadian Cultural Planning

Integrating Equity, Diversity, and Inclusion Into Canadian Cultural Planning

Museums without Visitors? Crisis of the Polish Museums during the COVID-19 Pandemic and Their Revival under the Digital Experience Offer

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