2012
DOI: 10.1111/j.1754-9434.2012.01474.x
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Partnerships in Leading for Innovation: A Dyadic Model of Collective Leadership

Abstract: As a framework for the current state of practice on collective approaches to leadership, Yammarino, Salas, Serban, Shirreffs, and Shuffler (2012) present a solid foundation for guiding future research and to a lesser degree given the dearth of empirical work, practice. Missing from their review, however, are illustrative examples of just how collective leadership operates and impacts organizational functioning, particularly when the goal is innovation. En route to these illustrations, we contend that a dyadic

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Cited by 23 publications
(29 citation statements)
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“…Rather, dual leadership may be more instrumental for the success of the organization. Although the importance of dual leadership has been acknowledged when leading for innovation (Hunter, Cushenbery, Fairchild, & Boatman, 2012), it may also be relevant in other situations. For example, if an organization is unable to find a well-qualified Power Player, then it may be an equally good alternative to hire a Conscientious, Backend Leader and a Creative Communicator.…”
Section: Discussionmentioning
confidence: 99%
“…Rather, dual leadership may be more instrumental for the success of the organization. Although the importance of dual leadership has been acknowledged when leading for innovation (Hunter, Cushenbery, Fairchild, & Boatman, 2012), it may also be relevant in other situations. For example, if an organization is unable to find a well-qualified Power Player, then it may be an equally good alternative to hire a Conscientious, Backend Leader and a Creative Communicator.…”
Section: Discussionmentioning
confidence: 99%
“…Moreover, Hunter et al (2012) proposed a partnership model of leading for innovation and used as examples supportive of their model a series of innovative leadership dyads such as Steve Jobs and Tim Cook, Robert Oppenheimer and Leslie Groves. In another study of eight performing arts organizations in Canada, highlighted the need for dual executive leadership in creative organizations to balance contradictory forces and make trade-offs between artistic excellent and financial viability.…”
Section: Creative Brokersmentioning
confidence: 99%
“…This conceptualization has emerged from research on creativity in new forms of work (e.g., temporary organizations, brokerage) and in contexts where the traditional leader-follower distinction gives way to a group of expert professionals who collaborate intensively in the context of a creative project. This conceptualization is evident in a stream of studies on creative leadership in filmmaking (e.g., , theatrical (e.g., , and television (e.g., settings; a second stream of social network studies on creative leadership in the form of brokerage in music production (e.g., , industrial design (e.g., , and museum settings (e.g., ; and a nascent stream of research on dual (e.g., Hunter et al, 2012; and shared (e.g., Davis & Eisenhardt, 2011; forms of leadership. Creative leadership in these strands refers to a leader who synthesizes his or her own creative work with the heterogeneous creative contributions of other professionals.…”
Section: Three Conceptualizations Of Creative Leadership In the Organmentioning
confidence: 99%
“…In addition to exploring metrics, the use of qualitative methodologies can also provide us with additional information regarding this phenomenon. Both Cullen and colleagues (2012) and Hunter and colleagues (2012) provide case study examples in their commentaries, with Hunter et al (2012) specifically calling for the use of case illustrations to provide additional depth and understanding to collectivistic leadership. We agree that this type of qualitative information can provide novel perspectives for organizational issues such as collectivistic leadership that have unique qualities and characteristics that may be different from traditional perspectives.…”
Section: Study Of Collectivistic Leadership As a Unique Phenomenonmentioning
confidence: 99%