Principles and Applications of Spatial Hearing 2011
DOI: 10.1142/9789814299312_0026
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Perception-Based Reproduction of Spatial Sound With Directional Audio Coding

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Cited by 120 publications
(216 citation statements)
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“…SIRR [15] (which underpins the analysis and synthesis in directional audio coding (DirAC) [39]) is an alternative framework for analyzing, encoding, and synthezing a spatial RIR. The analysis part is based on a B-Format or higher-order recording [40], and represents the timefrequency-wise spatial response using three parameters: the DOA (azimuth and elevation) and a diffuseness coefficient.…”
Section: Low-level Parameters and Synthesismentioning
confidence: 99%
“…SIRR [15] (which underpins the analysis and synthesis in directional audio coding (DirAC) [39]) is an alternative framework for analyzing, encoding, and synthezing a spatial RIR. The analysis part is based on a B-Format or higher-order recording [40], and represents the timefrequency-wise spatial response using three parameters: the DOA (azimuth and elevation) and a diffuseness coefficient.…”
Section: Low-level Parameters and Synthesismentioning
confidence: 99%
“…The filters each used 2048 taps and were designed using hamming windows. Estimate direction of arrival (DOA) estimates to be used as features were extracted from each band using directional audio coding (DirAC) analysis [35][36][37] as follows:…”
Section: Baseline Classificationmentioning
confidence: 99%
“…Problems become more significant if signal processing includes directional sound encoding and rendering, synthesizing and dynamic controlling of reverberation, room and distance effects. Several software applications have been recently developed to address this problem for various platforms such as Spat [112], Sound Lab (SLAB) [113], DirAC [114], etc.…”
Section: Latency and Memory Usagementioning
confidence: 99%