2005
DOI: 10.1109/tsa.2004.841050
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Perceptual segmentation and component selection for sinusoidal representations of audio

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Cited by 22 publications
(20 citation statements)
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“…Many different methods for solving this have been proposed, e.g. [21]- [28] all implement this in what seem to be different ways. Often, these methods rely heuristic rules taken from psychoacoustic experiments, while estimation theory, on the other hand, relies on statistical signal processing in finding model parameters.…”
Section: Introductionmentioning
confidence: 99%
See 1 more Smart Citation
“…Many different methods for solving this have been proposed, e.g. [21]- [28] all implement this in what seem to be different ways. Often, these methods rely heuristic rules taken from psychoacoustic experiments, while estimation theory, on the other hand, relies on statistical signal processing in finding model parameters.…”
Section: Introductionmentioning
confidence: 99%
“…[26]. The methods of [27] and [28] are different methods yet-they rely on loudness and excitation pattern similarity criteria for sinusoidal component selection, respectively.…”
Section: Introductionmentioning
confidence: 99%
“…Nilai periodisitas sinyal suara sangat berpengaruh pada persepsi penerima. Jika semua nilai puncak sinyal dipertahankan, maka periodisitas sinyal dapat tetap terjaga [17]. Nilai puncak yang masih tetap terjaga, akan memiliki tingkat periodisitas yang tinggi dan dapat dibuktikan dengan menggunakan deret Fourier.…”
Section: Pendahuluanunclassified
“…For example, parametric techniques based on mixed basis representations [12] and on Sinusoids + Transients + Noise (STN) models [3,4] have been successful in speech and audio synthesis. A number of important algorithms [2][3][4][5] have been proposed to estimate the amplitudes, frequencies and phases associated with the sinusoidal model. Some examples include peak picking in the short-time Fourier transform (STFT) domain [2], analysis-by-synthesis techniques [14], and matching pursuit decompositions [5].…”
Section: Introductionmentioning
confidence: 99%
“…For example, a strategy based on maximum signal to mask ratio (SMR) has been proposed for sinusoidal synthesis [1]. Additionally, excitation patterns [4] and loudness patterns [6] have also been employed for constrained sinusoidal representations. Peak-picking strategies based on maximum SMR or maximum SNR criteria focus on high-energy spectral regions, and therefore, can miss perceptually relevant sinusoids that are not located in these regions.…”
Section: Introductionmentioning
confidence: 99%