2019
DOI: 10.1080/23322551.2019.1690234
|View full text |Cite
|
Sign up to set email alerts
|

Performance design as mnemonic device for critical engagement with the spatial politics of urban change: theARCADEproject

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1

Citation Types

0
1
0

Year Published

2021
2021
2021
2021

Publication Types

Select...
1

Relationship

1
0

Authors

Journals

citations
Cited by 1 publication
(1 citation statement)
references
References 5 publications
0
1
0
Order By: Relevance
“…For me site-specific practices, as I have argued elsewhere, provide rich terrain for the artist researcher and pedagogue of urban change to critically engage with the spatial politics and histories of place, unexpected agents, and the contingencies that come with this work. 6 From an art historical perspective Miwon Kwon's genealogy of site-specificity is helpful here in understanding how such art practices and their terms have evolved and circulated since the 1960s and 1970s. "The operative definition of the site," Kwon writes, "has been transformed from a physical locationgrounded, fixed, actualto a discursive vector -ungrounded, fluid, virtual."…”
Section: Introductionmentioning
confidence: 99%
“…For me site-specific practices, as I have argued elsewhere, provide rich terrain for the artist researcher and pedagogue of urban change to critically engage with the spatial politics and histories of place, unexpected agents, and the contingencies that come with this work. 6 From an art historical perspective Miwon Kwon's genealogy of site-specificity is helpful here in understanding how such art practices and their terms have evolved and circulated since the 1960s and 1970s. "The operative definition of the site," Kwon writes, "has been transformed from a physical locationgrounded, fixed, actualto a discursive vector -ungrounded, fluid, virtual."…”
Section: Introductionmentioning
confidence: 99%