We consider the gravity-induced draping of a 3D object with a naturally flat, isotropic elastic sheet. As the size of the sheet increases, we observe the appearance of new folded structures of increasing complexity that arise because of the competition between elasticity and gravity. We analyze some of the simpler 3D structures by determining their shape and analyzing their response and stability and show that these structures can easily switch between a number of metastable configurations. For more complex draperies, we derive scaling laws for the appearance and disappearance of new length scales. Our results are consistent with commonplace observations of drapes and complement large-scale computations of draping by providing benchmarks. They also yield a qualitative guide to fashion design and virtual reality animation. T he couturier drapes the 3D human body with a 2D fabric, working hard to subvert the relentless force of gravity to her cause by using a combination of cuts, folds, and tucks to transform a featureless textile into a piece of art. Indeed, the depiction of drapery, in the form of a carelessly thrown shawl on one's knee, is an important theme in Renaissance art, in both sculpture and sketching (1). Modern art has found another expression for the aesthetics of drapery in the carefully orchestrated wrapping of an entire building (2, 3). From a scientific viewpoint, drapery affords a common example of the complex patterns that arise from simple causes (Fig. 1a). In particular, drapery involves the large elastic (and reversible) deformations of naturally thin flat sheets, e a subject with comparatively recent theoretical origins going back to the early 20th century, when the first models valid for moderate deformations were formulated (4). In the last two or three decades, various geometrically exact formulations that go beyond the approximate theories have been put forward (5); these have also been the subject of large-scale computational approaches (6, 7). However, as is clearly evident in Fig. 1a, the fabric deformations in draping are highly inhomogeneous and result in the strong localization of strain in the neighborhood of points (8), thus making the computations difficult. Additionally, it is a matter of common experience that there are many local equilibria that the drapery is equally comfortable in; for example, the number of pleats in a skirt or sari can be easily modified to suit the wearer, suggesting a certain degeneracy among the solutions. To complement these quantitative computational approaches, which are in their nascent stages, here we approach the problem of drapery from a slightly different perspective by using a combination of exact analysis and scaling based on experimental observations of a variety of draping patterns to understand each of the above issues directly and thus provide a set of benchmarks while serving as a qualitative guide to the complexity of draping.Visually dissecting the drape of a complex, relatively rigid surface, we see that it is constituted mostly of f...