Patrick Kikut watched as the 18-foot raft carrying his supplies down the Green and Colorado Rivers headed into white water. Then the raft flipped. The walls of Utah's Cataract Canyon rose above him; his belongings, strapped to the capsized raft, bobbed along in the river before him. Seated in a nearby raft, Kikut was most concerned about the dry box containing his watercolor paints and compositions. "If water gets in there," he recalls worrying, "all of the watercolors in all the little tins are going to bleed out and I'll have tie-dye."Kikut, a painter and lecturer at the University of Wyoming in Laramie, was on the Sesquicentennial Colorado River Exploring Expedition (SCREE), a 70-day, 1,000-mile journey. It was summer 2019, and the expedition marked the 150th anniversary of geologist John Wesley Powell's first passage down the Green and Colorado Rivers. Paleoecologist Thomas Minckley of the University of Wyoming organized the trip and invited researchers, conservationists, writers, and artists along.As lead artist and one of the few adventurers making the entire journey, Kikut was following in a centuries-old tradition of painters joining researchers on expeditions. Starting in the 1700s, artists became "crucially important members of scientific expeditions," says Daniela Bleichmar, a professor of history and art history at the University of Southern California in Los Angeles. Researchers relied on painters to depict plants and animals as they studied new species and, in the following centuries, sweeping landscapes as they explored new terrain.Today, the painter is no longer essential personnel on every expedition. Yet painters continue to join researchers in the field, whether through individual partnerships or artist-in-residence programs, acting as storytellers more than data collectors. The painters have artistic freedom, sometimes even shifting into the abstract. It's a role that requires not only recording but also interpreting complex, changing phenomena as well as raising awareness via media that may attract more public attention than research reports and statistics.
An Evolving RoleEarly expedition painters were important players in the quest to classify species. "What CRISPR is today, the thing that everyone is excited about, taxonomy was in the 18th century," says Bleichmar. Because no single researcher could classify all living things, Expedition painter Maria Coryell-Martin hopes that her work helps audiences empathize with the plight of animals and ecosystems in the changing Arctic. In Cooper Island Pond (2019, field watercolor), Arctic light shines on black guillemots, whose population is being decimated by climate change. Image credit: Maria Coryell-Martin (artist).