Photo-elicitation: reflexivity on method, analysis, and graphic portraits

Richard, Veronica M.; Lahman, Maria K. E.

doi:10.1080/1743727x.2013.843073

Cited by 147 publications

(104 citation statements)

References 12 publications

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“…They also seemed comfortable being interviewed by an adult stranger. This tendency confirms findings by other researchers (Banister & Booth, ; Epstein et al, ; Einarsdóttir, ; Richard & Lahman, ; Smith et al, ). In agreement with Bergström et al () we noted that the method does not remove the hierarchy between the adult researcher and child, but does empower children more than methods such as surveys and traditional interviews, which lack participatory elements and projective techniques.…”

Section: Methodological Reflectionssupporting

confidence: 92%

“…These are used during interviews to explore the subjective meanings of the images (Jorgenson & Sullivan, ). In some cases, visual images are presented as photographs, videos, drawings, art paintings, cartoons or advertising billboards produced by either the researcher or an external source (Clark‐Ibáñez, ; Harper, ; Harris & Guillemin, 2012; Richard & Lahman, ; Shin Rohani, Aung, & Rohani, ). Participant produced photographs have been used in interviews with children as young as four (e.g., Clark, ; Einarsdottir, ), as well as teens and adults (Harper, ).…”

Section: Introductionmentioning

confidence: 99%

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Using photo interviews to explore children's food preferences

Alm

Olsen

2017

Int J Consumer Studies

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This methodological paper elaborates on the pitfalls and potentials for using participatory photo interviews that explore children's experiences with food. It aims to show how participatory photo interviews can give a deeper understanding of children's food preferences. Such knowledge will be useful to other researchers who wish to apply the method in social studies involving children and food. We studied 12 families comprising seven‐ and eight‐year‐old children and their parents to illustrate how this method can be used to identify and understand children's food preferences. The children took photographs over a one‐week period while eating family dinners at home and grocery shopping with their parents. The photos were then used to elicit information during separate in‐depth interviews. Qualitative data analysis software (NVivo 10) was used to content analyse the data. We found that participant photo interviews were a useful method for helping children to remember and describe the sensory, cognitive and affective situational associations of their meals. This approach helped to explore interesting aspects of children's preferences such as their response to raw vegetables, the importance of controlling and choosing meal ingredients and ambivalent food preferences. We discuss parental involvement during data collection as it represents one of the methodological pitfalls. Another limitation is the risk of sensitive information to be breached. We conclude that participatory photo interviews have potential for future food research involving children and may provide information difficult to elicit using other methods.

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Section: Methodological Reflectionssupporting

confidence: 92%

Section: Introductionmentioning

confidence: 99%

Using photo interviews to explore children's food preferences

Alm

Olsen

2017

Int J Consumer Studies

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“…Using an augmented film approach inscribed the venues as an evental space where potentialities and possibilities could be considered, and differences discussed in an environment of sensitivity and safety. Consequently, they resonated more with Richards and Lahman's (2015) suggestion that visual methods bring forth "emotional and cognitive information…through visual metaphor" (p.4), the themes and issues evoked by the image inciting a response and not solely eliciting one. Whilst the transcripts of the post-screening discussions are yet to be analysed, the discussions themselves were lively and diverse, providing an interesting source of data concerning individual narratives of motivation around engagement with events of dissent.…”

Section: Augmented Screenings As a Visual Methodologymentioning

confidence: 97%

Beyond the Frame: Use of Augmented Screenings as a Visual Methodology in Critical Event Studies

Lamond¹,

Agar²

2019

Event Management

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Link to Leeds Beckett Repository record: http://eprints.leedsbeckett.ac.uk/5332/ Document Version: ArticleThe aim of the Leeds Beckett Repository is to provide open access to our research, as required by funder policies and permitted by publishers and copyright law.The Leeds Beckett repository holds a wide range of publications, each of which has been checked for copyright and the relevant embargo period has been applied by the Research Services team.We operate on a standard take-down policy. If you are the author or publisher of an output and you would like it removed from the repository, please contact us and we will investigate on a case-by-case basis.Each thesis in the repository has been cleared where necessary by the author for third party copyright. If you would like a thesis to be removed from the repository or believe there is an issue with copyright, please contact us on openaccess@leedsbeckett.ac.uk and we will investigate on a case-by-case basis.Beyond the frame: Use of augmented screenings as a visual methodology in critical event studies. Lamond, I.; Agar, L. AbstractDisrupt is an ongoing project exploring methodologies appropriate to critical perspectives in event studies, suitable for researching activism, protest, and events of dissent. This paper considers the use of augmented film screenings, which combine cinematic presentation with non-film/live elements and panel-led discussions, as one of the approaches trialled as part of the project. Rooted in techniques based in photo and video elicitation, whilst incorporating aspects of the use of film to educate, stimulate and provoke radical debate, employed by Latin American activists since the 1960s, the augmented screening approach explored in this paper formulates an innovative approach in evental visual research methodology. Going further than photo and video elicitation, it combined film with live disruptive elements in the attendee experience to legitimise participant engagement with narratives that challenge the dominant hegemonic discourses in which we act and interact. In conclusion we consider some of the limitations and opportunities of evental research methods that use film as a key element within a framework anchored in a visual elicitation approach.

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“…Numerous scholars (e.g. [43,44]) stress the benefits of using photo-elicitation to gain access to respondents' perceptions and values and placing them in a position of self-awareness. Hence, in this part of the La nd 2020, 9, Before the respondents started to map wilderness in the survey, they were given the opportunity to practice their skill to use the spray-can and zoom in and out on Iceland in Google Earth.…”

Section: Methodsmentioning

confidence: 99%

Public Perception of Wilderness in Iceland

Ólafsdóttir

Sæþórsdóttir

2020

Land

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In recent years, there has been a gradually growing emphasis on the protection of wilderness in Iceland. This is highlighted in the current preparation of a new national park in the Icelandic central highlands, which will become Europe’s largest national parks. However, in order to protect the wilderness, a mutual understanding, both on what it is and where it is, is needed. This paper seeks to evaluate Icelanders’ perception and understanding of wilderness. Furthermore, to assess the value of wilderness for the Icelandic public and determine what lies behind the valuation, an online survey aided by maps from Google Earth and photographic scenarios of different landscapes was sent out to a nationally representative sample of Icelanders. The survey respondents mapped their perceived scope of Icelandic wilderness and furthermore chose between several landscape scenarios they thought most and least suited to their perception of wilderness. The results show that nearly all land located above the 300 m elevation line is perceived as wilderness, reflecting the country’s uninhabited highlands areas. The results also show that for the general public in Iceland it is chiefly an open and vast landscape, uninhabited areas, and the absence of anthropogenic features that bestow an area with the status of wilderness. The results demonstrate that any sign of anthropogenic interference, aside from archaeological remains, decrease Icelanders’ perception of wilderness. Moreover, despite being mostly categorized as urbanists or neutralists according to the purism scale, the majority of Icelanders still consider services, such as petrol stations, hotels, shops, restaurants, and diverse leisure services, along with energy production, to negatively impact the value of wilderness. Most Icelanders thus seem to regard wilderness as a valuable asset from the economic, cultural, and environmental perspectives, which underscores its uniqueness.

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Photo-elicitation: reflexivity on method, analysis, and graphic portraits

Cited by 147 publications

References 12 publications

Using photo interviews to explore children's food preferences

Using photo interviews to explore children's food preferences

Beyond the Frame: Use of Augmented Screenings as a Visual Methodology in Critical Event Studies

Public Perception of Wilderness in Iceland

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