Picture This! Community-Led Production of Alternative Views of the Heritage of Gwynedd

Karl, Raimund; Roberts, Jonathan C.; Wilson, Andrew T.; Möller, Katharina; Miles, Helen Cabot; Edwards, Ben; Tiddeman, Bernard; Labrosse, Frédéric; Trobe-Bateman, Emily La

doi:10.1179/2051819613z.0000000003

Cited by 12 publications

(11 citation statements)

References 5 publications

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“…The Heritage Together project (Raimund et al 2014) takes a crowdsourcing approach to preserving the Welsh heritage of the Gwynedd area. As they turn to locals with their request to share personal photos of monuments, places, and cultural heritage with the team of archaeologists and computer scientists from three different institutions, they draw on the opportunity to co-create heritage with the local community.…”

mentioning

confidence: 99%

3D Technology in Collaborative Heritage Preservation

Dehass

Taitt

2018

MAR

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Digital repatriation is one aspect of heritage preservation work that has been increasingly gaining popularity due to its effectiveness in assisting Indigenous communities in connecting with museum collections located at various institutions around the world. It is not simply an alternative for physical repatriation; rather, the two can be used in conjunction, particularly with the incorporation of 3D technology. While digital repatriation can provide new opportunities, it is also a contested concept (Boast and Enote 2013) that is still in the process of shaping future collaborative practices while being shaped by ongoing projects and their outcomes. In this paper, we explore how this technology, structure from motion (SFM) 3D modeling and scanning, provides innovative methods that are especially well suited for successfully contributing to a wide array of heritage preservation objectives. Three-dimensional technology is effective in providing alternative ways to connect with collection pieces and providing origin communities access to museum collections. It can alleviate concerns of chemical exposure from contamination, concerns for the fragility of items, the expense of insurance and transportation, or the need to remove pieces from origin communities. As artifacts transform in the repatriation process by gaining new life and meaning when they enter the contemporary reality of the origin community, the use of 3D technology, as part of this collaboration, can assist Indigenous communities in fulfilling their own visions of heritage preservation.

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confidence: 99%

3D Technology in Collaborative Heritage Preservation

Dehass

Taitt

2018

MAR

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“…Similar concepts are explored within the storytelling and narrative visualisation styles (e.g., [BLB∗17]). Indeed, in our collaborative research with archaeologists [KRW∗14], the archaeologists often talk about minority groups, or ways to understand the views of historic people. This is multivocality , which refers to many voices.…”

Section: Related Workmentioning

confidence: 99%

Multiple Views: different meanings and collocated words

Roberts

Al-Maneea

Butcher

et al. 2019

Computer Graphics Forum

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We report on an in‐depth corpus linguistic study on ‘multiple views’ terminology and word collocation. We take a broad interpretation of these terms, and explore the meaning and diversity of their use in visualisation literature. First we explore senses of the term ‘multiple views’ (e.g., ‘multiple views’ can mean juxtaposition, many viewport projections or several alternative opinions). Second, we investigate term popularity and frequency of occurrences, investigating usage of ‘multiple’ and ‘view’ (e.g., multiple views, multiple visualisations, multiple sets). Third, we investigate word collocations and terms that have a similar sense (e.g., multiple views, side‐by‐side, small multiples). We built and used several corpora, including a 6‐million‐word corpus of all IEEE Visualisation conference articles published in IEEE Transactions on Visualisation and Computer Graphics 2012 to 2017. We draw on our substantial experience from early work in coordinated and multiple views, and with collocation analysis develop several lists of terms. This research provides insight into term use, a reference for novice and expert authors in visualisation, and contributes a taxonomy of ‘multiple view’ terms.

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“…The HeritageTogether project is focused on performing photogrammetric surveys to create digital records of megalithic monuments such as standing stones, stone circles, cairns and burial chambers in Wales, UK [12]; an example is shown in figures 1 and 2. While a dedicated survey team could travel to each of these sites to perform a high quality survey, due to the large number of sites it would take many days and thousands of hours to accomplish these surveys.…”

Section: Introductionmentioning

confidence: 99%

Crowd-Sourced Digitisation of Cultural Heritage Assets

Miles

Wilson

Labrosse

et al. 2014

2014 International Conference on Cyberworlds

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Miles, H.C.; Wilson, A.T.; Labrosse, F.; Tiddeman, B.; Griffiths, S.; Edwards, B.; Moller, K.; Karl, R.; Roberts, J.C., "Crowd-Sourced Digitisation of Cultural Heritage Assets," Cyberworlds (CW), 2014 International Conference on , vol., no., pp.361,368, 6-8 Oct. 2014With the rise of digital content and web-based technologies, archaeologists and heritage organisations are increasingly striving to produce digital records of archaeology and heritage sites. The large numbers and geographical spread of these sites means that it would be too time-consuming for any one team to survey them. To meet this challenge, the Heritage Together project has developed a web platform through which members of the public can upload their own photographs of heritage assets to be processed into 3D models using an automated photogrammetry work flow. The web platform is part of a larger project which aims to capture, create and archive digital heritage assets in conjunction with local communities in Wales, UK, with a focus on megalithic monuments. Heritage Together is a digital community and community-built archive of heritage data, developed to inspire local communities to learn more about their heritage and to help to preserve it.authorsversio

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Picture This! Community-Led Production of Alternative Views of the Heritage of Gwynedd

Cited by 12 publications

References 5 publications

3D Technology in Collaborative Heritage Preservation

3D Technology in Collaborative Heritage Preservation

Multiple Views: different meanings and collocated words

Crowd-Sourced Digitisation of Cultural Heritage Assets

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