2021
DOI: 10.51428/tsr.mtsg8567
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Picturing What Really Matters: How ‘photo-story’ research can help make the personal, visible

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Cited by 3 publications
(3 citation statements)
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“…Alongside further regular participant observation in youth work sessions, and interviews and focus groups with 40 young people, youth workers and managers, we were able to use methods that emerged from young people's needs and interests, and the rhythm of work in these organisations. This included a tour of a youth club; photograph and music elicitation, through the sharing and discussion of photographs and songs that relate to youth work (Levell 2021;Varvantakis and Nolas 2021); and a 'paper chatterbox' with questions selected and asked in collaboration with young people. This approach was akin to what Batsleer and Duggan (2021) have called 'youth work as method', drawing on principles of anti-oppressive youth work practice and youth participatory research to engage creatively and flexibly with young people and youth workers, in accordance with their wishes and interests.…”
Section: Methodsmentioning
confidence: 99%
“…Alongside further regular participant observation in youth work sessions, and interviews and focus groups with 40 young people, youth workers and managers, we were able to use methods that emerged from young people's needs and interests, and the rhythm of work in these organisations. This included a tour of a youth club; photograph and music elicitation, through the sharing and discussion of photographs and songs that relate to youth work (Levell 2021;Varvantakis and Nolas 2021); and a 'paper chatterbox' with questions selected and asked in collaboration with young people. This approach was akin to what Batsleer and Duggan (2021) have called 'youth work as method', drawing on principles of anti-oppressive youth work practice and youth participatory research to engage creatively and flexibly with young people and youth workers, in accordance with their wishes and interests.…”
Section: Methodsmentioning
confidence: 99%
“…Photographs were analysed as visual data and also used to produce a series of short photo-story films. Participants shared their photos with the group at the start of the second workshop, with each person taking a turn at explaining what the photo meant to them, why they took it, what they were thinking and feeling at the time (Varvantakis & Nolas, 2021) and what it represented in the context of imagining a stigma-free world. Participants then had an opportunity to comment on one another's photographs and to write a 'story' on their own or someone else's photo.…”
Section: Data Collectionmentioning
confidence: 99%
“…Towards the end of workshop 1, participants were invited to engage in a photo-story project. This method was incorporated at the suggestion of the research team as a creative, engaging, and accessible way for young people to express their thoughts, feelings, and experiences around the complex and evocative topic of stigma ( Varvantakis & Nolas, 2021 ). The young people consulted in the pre-design phase endorsed this.…”
Section: The Co-design Processesmentioning
confidence: 99%