2019
DOI: 10.1111/jpcu.12860
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Place, Peripherality, and Play: Reflections on Film Tourism in Ireland

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Cited by 2 publications
(2 citation statements)
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“…For example, mythmaking in literature and film was explored by Buchmann (2006) in the case of “Erewhon” and “Edoras,” in which these phenomena were used for the promotion of mythical tourism in New Zealand, incorporating existing images and physical features to strengthen the real-world experience of the place. Mythmaking has also been investigated in film tourism from a destination placemaking perspective in the case of Ireland and the movies “The Quiet Man” and “Star Wars: The Force Awakens.” Central to the mythmaking and the landscape were the re-birth or spiritual homecoming of an estranged hero that can be symbolized by the peripheral and wild landscape of western Ireland (O’Boyle, 2019).…”
Section: Media and Fandommentioning
confidence: 99%
“…For example, mythmaking in literature and film was explored by Buchmann (2006) in the case of “Erewhon” and “Edoras,” in which these phenomena were used for the promotion of mythical tourism in New Zealand, incorporating existing images and physical features to strengthen the real-world experience of the place. Mythmaking has also been investigated in film tourism from a destination placemaking perspective in the case of Ireland and the movies “The Quiet Man” and “Star Wars: The Force Awakens.” Central to the mythmaking and the landscape were the re-birth or spiritual homecoming of an estranged hero that can be symbolized by the peripheral and wild landscape of western Ireland (O’Boyle, 2019).…”
Section: Media and Fandommentioning
confidence: 99%
“…A relação entre turismo e cinema ganhou forças nos últimos anos por meio da popularização do acesso às produções audiovisuais. Estudos apontam que produções audiovisuais podem atrair turistas (Mendes, 2010;O'Boyle, 2019), além de beneficiar economicamente um destino (Liou, 2010) a partir da movimentação de vários setores comerciais, como o setor de alimentos e bebidas, meios de hospedagem e empresas relacionadas ao setor audiovisual (Marzal, 2009).…”
Section: Introductionunclassified