Ramírez-D'Oleo, 2023) trump all, even in abyssal work? How too does the generation of new figures (or figurative assemblings) sit alongside the dismissal of productivist imaginaries? This is a 'punchy theory-manifesto' (Dekeyser, 2023: 608), and one which has great ambition: to 'invert the stakes of analysis and critique' (78), no less. This is to be applauded. And it is clear that the book diagnoses, and responds to, ways of thinking which 'promise an escape from being suborned to the world as requiring saving at the cost of disavowal of the lives already sacrificed to its maintenance' (52). This is crucial work. And yet the affective tone which finally registered for me was of a peculiar, discomfiting flatness. The source of the flatness, truth to tell, is difficult to diagnose. I wondered if it might be because the shock of the book's argument is partly curtailed by its announcement, by their own admission, in various other iterations (Chandler and Pugh, 2022;2023a, 2023bPugh and Gfoellner, 2023;Pugh, 2022), or because it speaks to other ongoing efforts to think the end of 'the world' that are familiar to geographers (see, for instance, Colebrook, 2023). I wondered too if this flatness emerges from a theoretical doubt about some of the tensions that run through the book (between ground and groundlessness, between ontology and paraontology, between unmaking and remaking). Or might it be that such flatness is an expression of something else? Might such a project of world-ending be intimately, and necessarily, linked with feelings of quiet despair?