Platon, Ménon, Traduction inédite, introduction et notes par Monique Canto-Sperber, Paris 1991 (Flammarion, 350 páginas)

Costa, Ivana

doi:10.1163/24680974-90000129

Methexis

1992

DOI: 10.1163/24680974-90000129

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Platon, Ménon, Traduction inédite, introduction et notes par Monique Canto-Sperber, Paris 1991 (Flammarion, 350 páginas)

Ivana Costa¹

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2001

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Une façon platonicienne d'être une image: le "mimema"

Desclos

2001

Classica

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RESUMO: O artigo faz uma reflexao sobre o estatuto ontologico da imagem enquanto resultado, compreendido como mimema, do processo produtivo que e a atividade demiurgica, compreendida como mimesis. A nocao de mimema e analisada em passagens de Esquilo e de Euripides e compreendida como a transcricao, mais que a reproducao, de um modelo sobre um outro suporte. Ao estudar o contexto de utilizacao do termo mimema pelos poetas, a autora ilumina justamente aquilo que sera conceptualizado por Platao em sua teoria da mimesis. PALAVRAS-CHAVE: mimema; mimesis; Platao.Assez curieusement, c'est le constat d'une absence qui a suscite les quelques remarques que je me propose de presenter dans les lignes qui suivent. Tenant, cornrne tant d'autres, qu'il n'est guere possible de parler d' "images" chez Platon sans prendre en compte ce qu'il est convenu d'appeler sa theorie de la mimesis, je me suis avisee que -dans le recit consacre a la fabrication du monde par le Demiurge -le verbe p i p e l~i n'apparaissait jamais.

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Une façon platonicienne d'être une image: le "mimema"

Desclos

2001

Classica

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Platon, Ménon, Traduction inédite, introduction et notes par Monique Canto-Sperber, Paris 1991 (Flammarion, 350 páginas)

Cited by 1 publication

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Une façon platonicienne d'être une image: le "mimema"

Une façon platonicienne d'être une image: le "mimema"

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