2021
DOI: 10.1016/j.poetic.2021.101532
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Playing the system: ‘Race’-making and elitism in diversity projects in Germany's classical music sector

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Cited by 10 publications
(1 citation statement)
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“…At the centre of such discussions stands the question of whether diversity and inclusion programmes can indeed prompt progressive representations of difference and tackle the cultural sector’s deep-seated entanglements with classed, raced and gendered inequalities, or whether such initiatives ultimately have reproductive consequences, perpetuating precisely what they claim to undo (e.g. Ahmed, 2012; Kolbe, 2021; Nwonka, 2015; Titley, 2014). Gavan Titley (2014), for instance, detects a depoliticisation of cultural diversity policies as they become delinked from wider contestations of racial inequality.…”
Section: Theorising Discourses Of Diversity and Difference In The Cla...mentioning
confidence: 99%
“…At the centre of such discussions stands the question of whether diversity and inclusion programmes can indeed prompt progressive representations of difference and tackle the cultural sector’s deep-seated entanglements with classed, raced and gendered inequalities, or whether such initiatives ultimately have reproductive consequences, perpetuating precisely what they claim to undo (e.g. Ahmed, 2012; Kolbe, 2021; Nwonka, 2015; Titley, 2014). Gavan Titley (2014), for instance, detects a depoliticisation of cultural diversity policies as they become delinked from wider contestations of racial inequality.…”
Section: Theorising Discourses Of Diversity and Difference In The Cla...mentioning
confidence: 99%