Poder local, arte urbana e festivalização da cultura*

Campos, Ricardo

doi:10.4000/rccs.12000

Cited by 3 publications

(2 citation statements)

References 34 publications

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“…This artistic expression, despite multiple influences, derives essentially from the urban graffiti of North American tradition, an essentially transgressive and illegal expression (Campos, 2010). However, since the beginning of the millennium, we have witnessed a gradual artification (Shapiro, 2019) and institutionalisation of graffiti and street art (Bengtsen, 2014;Schacter, 2014), giving rise to urban art increasingly seen as a form of public art (Campos, 2021). That means a growing proliferation of projects associated with graffiti and street art that are sometimes tolerated and sometimes sponsored by public entities.…”

Section: Public Art and Urban Artmentioning

confidence: 99%

“…In the Portuguese context, municipalities have been particularly active in promoting urban art as public art (Campos, 2021;Campos & Barbio, 2021;Grondeau & Pondaven, 2018). On the national scene, Lisbon emerged as a pioneering municipality by creating, in 2008, the Urban Art Gallery, a project that gained national and international recognition, highlighting the importance of urban art for the revitalisation and embellishment of the city's public space.…”

Section: Public Art and Urban Artmentioning

confidence: 99%

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Mediação Para a Arte Urbana: O Caso Meu Bairro, Minha Rua

Castro

Campos

2023

RLEC

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Cada vez mais, vemos a arte urbana a ser utilizada como meio de regeneração urbana por parte das autarquias de várias cidades portuguesas, constatando-se, no entanto, que, por vezes, são desenvolvidos projetos de arte urbana com o simples intuito de “embelezar” a paisagem urbana, não tendo em consideração as comunidades que frequentam ou vivem nos espaços intervencionados. Este tipo de intervenção levanta uma série de questões acerca do papel da arte urbana enquanto forma de arte pública, desenvolvida em determinados territórios urbanos. Com frequência esta expressão tem sido empregue em territórios urbanos desqualificados e periféricos, do ponto de vista territorial e social. Neste sentido, cumpre funções que não são exclusivamente artísticas, mas também de índole comunitária e social, visando a requalificação territorial, simbólica e identitária de determinados bairros. Com este artigo, pretendemos chamar a atenção para a importância da utilização de processos participativos no desenvolvimento de projetos de arte urbana a implementar no espaço público, incentivando o envolvimento das comunidades. Partindo da premissa de que no espaço público a mediação de arte deve ter uma importância acrescida, decidimos focar-nos num caso de estudo — o projeto Meu Bairro, Minha Rua — no qual a comunidade foi chamada a participar nas tomadas de decisão sobre um conjunto de micro-intervenções, realizadas no espaço público, em 10 locais de Vila Nova de Gaia.

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Section: Public Art and Urban Artmentioning

confidence: 99%

Section: Public Art and Urban Artmentioning

confidence: 99%

Mediação Para a Arte Urbana: O Caso Meu Bairro, Minha Rua

Castro

Campos

2023

RLEC

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Arte urbana, poderes públicos e desenvolvimento territorial: uma reflexão a partir de três estudos de caso

Campos¹,

Júnior²,

Raposo³

2021

etnografica

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Urban Art and Digital Technologies for Autopoiesis in Citizen Tourism

PICININI,

FONTANA,

BAPTISTA

2023

JOSSTT

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This research proposes a “conversation” that connects urban art and digital technologies for autopoiesis of citizen tourism, through observations of artistic interventions that use the city as support and spread on cyberspace. In this study, we will develop a discussion from the gables’ graffiti of Elevado Presidente João Goulart in São Paulo, a place also known as “Minhocão”. The general objective of this study is to reflect on how the combination of urban art and digital technologies can contribute to an autopoietic reinvention of citizen tourism. In this way, the specific objectives are: a) discuss the autopoiesis concept in relation to citizen tourism; b) discuss the relationship between urban art and digital technologies for citizen tourism. The theoretical references concerning urban art are based on Pesavento (2007), Eckert and Rocha (2016), Harvey (2012), and Campos (2021). To approach digital technologies, the principal references are Lévy (2010), Kerckhove (1997, 2003), and Taufer (2020). The autopoiesis concept had as a theoretical substrate the thought of Maturana and Varela (2003), Luhmann (1992, 2009), Guattari (1992), and Baptista (2015), while the tourism approach is established by Gastal (2006), Baptista (2020) and Moesch and Beni (2016). This study is guided by Cartography of Knowledge (Baptista, 2014), a strategic methodology that is divided into four trails, explored simultaneously by researchers: Personal Knowledge, Theoretical Knowledge, Production Plant, and Intuitive Research Dimension. In terms of preliminary results, it was perceived that the association between urban art and digital technologies shows new autopoietic constructions between the subject and the tourist citizen. The art interventions create agencies that shift the tourist citizen of their routine, thus they share their new perceptions of the city through digital technologies.

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Poder local, arte urbana e festivalização da cultura*

Cited by 3 publications

References 34 publications

Mediação Para a Arte Urbana: O Caso Meu Bairro, Minha Rua

Mediação Para a Arte Urbana: O Caso Meu Bairro, Minha Rua

Arte urbana, poderes públicos e desenvolvimento territorial: uma reflexão a partir de três estudos de caso

Urban Art and Digital Technologies for Autopoiesis in Citizen Tourism

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