Points of Contact Between Anthropology and Theatre, Again

Schechner, Richard

doi:10.1007/978-3-030-41995-0_2

Cited by 4 publications

(2 citation statements)

References 15 publications

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“…When approaching multiplicity and self-re-presentations and reminding Richard Schechner when he states that, during the performance, a performer is “not himself” and yet “not not himself” (1985, p. 4), I also argue in betweenness as a space where I am “not myself” but I am “not not myself”, that is, the landscapes between stereotypical selves. I name in betweenness the (also performative) landscape we can design in a space of tension between two apparently incompatibles.I am into landscapes of freedom.…”

Section: Superordinate Theme 2: Identitymentioning

confidence: 99%

Making sense of a relational model within artistic creation (RMAC) through interpretative phenomenological analysis (IPA)

Santos

2023

QRJ

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PurposeThe case study is inspired in Interpretative Phenomenological Analysis (IPA) to make sense of a Relational Model within Artistic Creation (RMAC) developed by the author a long time in their artistic and research practices.Design/methodology/approachAn Interpretative Phenomenological Analysis (IPA) is considered within a case study where the author is simultaneously researcher and participant, using old unsolicited diaries for more than a decade as raw material.FindingsRMAC was previously presented as a tool for creating (maker) as well as a tool for research (researcher) in specific solo performance art projects, being the first time that it is approached through an Interpretative Phenomenological Analysis, bringing new insights into artistic practice and research within their intersections.Originality/valueThis paper brings them the use of IPA in a case study with a researcher-participant to make sense of how RMAC, a model already presented formally and developed for many years, appeared and changed the author's professional and personal life. Also, it is given a new study using diaries as material within IPA.

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Section: Superordinate Theme 2: Identitymentioning

confidence: 99%

Making sense of a relational model within artistic creation (RMAC) through interpretative phenomenological analysis (IPA)

Santos

2023

QRJ

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“…Por su lado, Richard Schechner (1985) relaciona la intensidad a través de una analogía con la técnica japonesa «jo (lento) -ha (medio) -kyu (rápido)», que tiene relación con el ritmo. Por ello, en nuestro laboratorio de «Cuerpo performático» esta división se vuelve compleja dependiendo de la capacidad de improvisación de las participantes en niveles de movimiento: bajo, medio y alto.…”

Section: Prácticas Afrobrasileñas Y Experiencias Pedagógicas En Artes...unclassified

Desde el cuerpo:

Carreño¹,

Silva²

2023

Desde el Sur

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Las instituciones de educación superior, en especial las formadoras de profesores/as, se han centrado en la innovación educativa por el impacto que esta tiene en el sistema educacional de cada país. En el contexto de una investigación sobre la innovación educativa y los usos y representaciones del cuerpo con técnicas corporales vinculadas al ritmo afrobrasileño (maculelê), el objetivo de este trabajo es presentar algunas contribuciones de la práctica de expresiones afrobrasileñas implementadas en el curso de Formación Integral «Expresión corporal con el ritmo» / «Laboratorio cuerpo performático», que tiene como misióndesarrollar las competencias genéricas declaradas por el Modelo Educativo de la Universidad del Bío-Bío.Además, daremos cuenta del proceso de enseñanza y aprendizaje de contenidos conceptuales como coordinación tiempo-espacio, percepción corporal, lenguaje y memoria corporal, y trabajo en equipo, atendiendo al cuerpo pospandémico.

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Translating and performing China for the English-speaking stage: Royal Shakespeare Company’s re-staging of The Injustice to Dou E

Long

2024

Humanit Soc Sci Commun

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Points of Contact Between Anthropology and Theatre, Again

Cited by 4 publications

References 15 publications

Making sense of a relational model within artistic creation (RMAC) through interpretative phenomenological analysis (IPA)

Making sense of a relational model within artistic creation (RMAC) through interpretative phenomenological analysis (IPA)

Desde el cuerpo:

Translating and performing China for the English-speaking stage: Royal Shakespeare Company’s re-staging of The Injustice to Dou E

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