Positive Negatives: Or the Subtle Arts of Compromise

Abstract

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The costume designer as co-author of contemporary dance performance: Erika Turunen’s signature style

“…Burt (2017), Lepecki (2006) Collaborative creation in performance-making e.g. Colin and Sachsenmeier (2016), Melrose (2016) Interpretation & dialogue Gadamer ([1975]2014)…”

“…The centrality of processes arises directly from the first interviews with costume designers conducted in the early phases of this study. However, while the existing literature in performance-making widely discusses the impact of processes on performance outcomes from the viewpoint of performers, directors, and choreographers (White 2009;Britton 2013: 28;Melrose 2016;Simonsen 2017), as I indicate in my review of previous scholarship in Chapter 2, such understanding has only recently gained critical attention by select costume scholars (Barbieri 2021;Lindgren 2021b: 208;Osmond 2021;Taylor 2021a: 274;Weckman 2021a: 147) and would still benefit from the voices of additional costume designers. Consequently, processes significantly interlink with aspects of collaboration.…”