“…Previous studies on celebrity worship and idol worship within the context of pop culture discussed the intrinsic nature of this phenomenon (Till, 2010;Gleason et al, 2017); examined behavioral and psychological features of online and offline fans (Williams and Ho, 2016;Kunert, 2021), especially the psychological well-being (Brooks, 2021), psychiatric symptoms (e.g., depression, anxiety, difficulties in integration of experiences in various life domains, and maladaptive daydreaming; Somer et al, 2017;Zsila et al, 2018), and pathological, addictive, or deviant behavior (McCutcheon et al, 2002;Zsila et al, 2019) associated with entertainment idols within a clinical context (Maltby et al, 2006;Sheridan et al, 2007); developed multiple measurement tools (Maltby et al, 2006;Cheung and Yue, 2011); identified the correlates, antecedents and outcomes of celebrity worship (Ang and Chan, 2018;McCutcheon et al, 2021), including demographics (Gleason et al, 2017), personality (Maltby and Day, 2017), social, behavioral, and psychological factors (Brooks, 2021;Laffan, 2021); explored the operating mechanisms of fandom and fan culture within the field of pop culture and social media platforms (Van den Bulck et al, 2016;Yin, 2020), the routine practices of "algorithmic culture" (Alaimo and Kallinikos, 2017;Fung, 2019;Livingstone, 2019), the sense of duty and obligation as commitment to the community and the idol (Zhang and Fung, 2017), as well as the interaction and co-evolution among multiple actors including the idol, pop industry, fans, and social media platform (Giles, 2002;Yan and Yang, 2021). However, few of them have focused on the final stage of idol worship, including the breakup and recovery process.…”