2021
DOI: 10.21659/rupkatha.v13n3.25
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Postcolonial Aesthetics and Sensuous Geographies in Aruni Kashyap’s The House with a Thousand Stories

Abstract: The place is fundamental to our existence; it conforms to the phenomenology of being in the world as we always occupy a place “if not with our minds, then always with our bodies”, to quote Moslund. The role of the senses in knowing the geographies of our existence, form a kind of structuring of space and defining of place. To understand the construction of sensorial-socio-cultural space of Assam at the time of extrajudicial killings that produces a ‘sense of fear’ jeopardizing the everyday negotiations of peop… Show more

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“…A detailed examination of the characters Mamoni and Mridul is conducted to understand their direct and indirect characterization. "The analysis revolves around how literature aesthetically present and represent the terror occurrences by using writing as fertile instances of a poetics which grows out of the 'events' but goes beyond such traumatic events as a strategic mode of continuation and regeneration"[14]. The narrative structure and storytelling techniques are scrutinized to uncover the author's portrayal of the psychological impact of socio-political turmoil on the chosen characters connected with the psychological concepts.…”
mentioning
confidence: 99%
“…A detailed examination of the characters Mamoni and Mridul is conducted to understand their direct and indirect characterization. "The analysis revolves around how literature aesthetically present and represent the terror occurrences by using writing as fertile instances of a poetics which grows out of the 'events' but goes beyond such traumatic events as a strategic mode of continuation and regeneration"[14]. The narrative structure and storytelling techniques are scrutinized to uncover the author's portrayal of the psychological impact of socio-political turmoil on the chosen characters connected with the psychological concepts.…”
mentioning
confidence: 99%