Transecology 2020
DOI: 10.4324/9780429023811-4
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Posthuman ecological intimacy, waste, and the trans body in Nånting måste gå sönder (2014)

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Cited by 6 publications
(2 citation statements)
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“…The dog walker is the only racialised character in the film, and her comforting words could easily be read as playing into racist tropes. Yet her Blackness, together with Ellie's transness, is the embodiment of a structural dehumanisation of the dissident, non-normative body and its historical discursive links to pathology and abnormality (see Straube 2020;2019). Thus, the meeting between the dog walker and Ellie, the dog and the hill, gives even further emphasis to the reading of the film as a re-appropriation of "impurity" across a range of different bodies and the disenfranchising meaning given to their bodily materialities.…”
Section: Nånting Måste Gå Sönder: Embracing Pollutionmentioning
confidence: 99%
“…The dog walker is the only racialised character in the film, and her comforting words could easily be read as playing into racist tropes. Yet her Blackness, together with Ellie's transness, is the embodiment of a structural dehumanisation of the dissident, non-normative body and its historical discursive links to pathology and abnormality (see Straube 2020;2019). Thus, the meeting between the dog walker and Ellie, the dog and the hill, gives even further emphasis to the reading of the film as a re-appropriation of "impurity" across a range of different bodies and the disenfranchising meaning given to their bodily materialities.…”
Section: Nånting Måste Gå Sönder: Embracing Pollutionmentioning
confidence: 99%
“…It dismantles categorical binaries and engages with a posthuman landscape. 3 A trans-ecological ethical disposition is based on embodied re-lationships to place, that are collectively attuned to histories of difference. 4 This ethics reimagines a more just post-Anthropic life undoing historically sedimented relationships of oppression.…”
Section: Introductionmentioning
confidence: 99%