“…Schö n Ybarra, Department of Art as Applied to Medicine, The Johns Hopkins University School of Medicine, 1830 E. Monument Street, Suite 7000, Baltimore, MD 21205-2100. E-mail: M-Schoen@Worldnet.att.net been addressed in other terms, from different perspectives, and investigated with different methods (Sonesson, 1959;Frable, 1961;von Leden and Moore, 1961;Ardran and Kemp, 1966;Maue, 1970;Fink and Demarest, 1978;Sellars and Keen, 1978;Dickson and Maue-Dickson, 1982;Sellars and Sellars, 1983;CĂ© rat et al, 1988;Hirano et al, 1991;Hoffman et al, 1991;Neuman et al, 1993;Hengesteg et al, 1994;Sataloff et al, 1994;Faries and Martella, 1996;Talmi et al, 1996;Alexander et al, 1997;Cooke et al, 1997;Kasperbauer, 1998;Selbie et al, 1998;Wang, 1998), but its unequivocal elucidation and comprehension have been compromised by the use of methods that do not offer practical 3D sighting of CA joint facet movements and interactions, and very often by the use of inconsistent/inadequate nomenclature when referring to the movements of the arytenoids on the cricoid, to the interactions between the arytenoid and cricoid articular facets, and to the directions of the vocal process positional shifts. Moreover, realistic, truly informative illustrations that will support such elucidation and comprehension are not abundant in the cited references.…”