Pound or Eliot: whose era?

Rainey, Lawrence

doi:10.1017/ccol0521853052.006

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Cited by 19 publications

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“…In Bellew’s words, since her death in 1925, Lowell is remembered as: “the woman who stole control of the quintessential school of modern poetry from the movement’s famed founder” (Bellew, 2017, 23). For a less negative view of Amy Lowell see Lawrence Rainey (2007). Her merit is to have given the movement a more democratic imprint, a wider audience, and a bigger publisher, hence contributing to the movement’s commercial success more than Pound ever did.…”

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confidence: 99%

Alessandro Baricco: The Diction of Imagism

Castelli

2021

Orbis Litterarum

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The pleasure of a fictional text can be provided by the plot, the characters, and the suspense resulting from their interrelation. In the case of Alessandro Baricco, Italian writer and essayist, the pleasure of reading is given by sounds and images. With the use of unique stylistic elements made of short and nominal sentences, silences, and pauses, Baricco’s prose becomes segmented and fragmentary. By binding the motif of his narrative to vague images rather than detailed descriptions, Baricco is shifting the modernist poetics of Imagism to postmodern fiction.

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confidence: 99%