2017
DOI: 10.1080/14487136.2017.1303130
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Precedence, Earth and the Anthropocene: Decolonizing design

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Cited by 32 publications
(26 citation statements)
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“…In other words, coloniality is, in fact, constitutive of modernity. They are the two sides of the same coin or two entangled movements, with coloniality being modernity's dark side (Mignolo 2011;Vázquez 2017).…”
Section: Decolonial Epistemic Critique: Understanding the Accredited Version Of Criminologymentioning
confidence: 99%
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“…In other words, coloniality is, in fact, constitutive of modernity. They are the two sides of the same coin or two entangled movements, with coloniality being modernity's dark side (Mignolo 2011;Vázquez 2017).…”
Section: Decolonial Epistemic Critique: Understanding the Accredited Version Of Criminologymentioning
confidence: 99%
“…What Dussel (1993) implies is that in order for modernity to become a dominant and universal project of civilization, it required a "double negation," to use Vázquez's (2017: 78) words. It needed a negation of otherness and a simultaneous concealment of that negation (Vázquez 2017). According to Maldonado-Torres (2007: 245), the Cartesian "ego cogito" (rational self) was founded through and by the concealment of "ego conquiro" (the self as a conqueror).…”
Section: Modernity/coloniality (Coloniality the Dark Side Of Modernity): Challenging The Accredited Version Of Criminologymentioning
confidence: 99%
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“…It is about building relationships, developing trust, and engaging in reciprocity with others whilst demonstrating a genuine motivation to listen and learn from an open and receptive position. As Vazquez (2017) would argue, it is a process of 'worlding the world'. Dadirri is a reflection of the intercultural in its purest, most open and accepting form.…”
Section: Reflexivity Listening and Border Thinkingmentioning
confidence: 99%
“…(ii) The emergence of a transnational space, anchored chiefly but not exclusively in the Global South, that problematizes anew design's embeddedness in global historical relations of power and domination, variously explored in terms of design's relation to histories of colonialism and imperialism, its functioning within the modern/colonial matrix of power, the geopolitics of knowledge (eurocentrism), racism, and patriarchal capitalist colonial modernity. This second feature is attested by novel framings of design praxes, such as those going on under the rubrics of decolonial design (Schultz, 2017;Schultz et al, 2018); designs of, for, by and from the South (Gutiérrez, 2015a(Gutiérrez, , 2015bAnsari, 2016;Fry, 2017b;Escobar, 2017) 2 ; design by other names; the decolonization of design (Tunstall, 2013;Ansari, 2016;Tlostanova, 2017;Vásquez, 2017); indigenous and multicultural design and visual sovereignty 3 ; alter-design (López-Garay and Lopera, 2017); design in the borderlands (Kalantidou and Fry, 2014); and autonomous design (Escobar, 2018). It should be stressed that these trends often overlap; they are diverse and heterogeneous, in some cases even within each trend.…”
Section: Introductionmentioning
confidence: 99%