“…Eventually the task of creating a story was added. All of the singing skills have been investigated individually by other researchers, for example, vocal range (Rutkowski, 1990(Rutkowski, , 2002Welch, 1979), pitch or pattern matching (Apfelstadt, 1984;Demorest & Clements, 2007;Flowers & Dunne-Sousa, 1990;Sims, Moore, & Kuhn, 1982;Stadler Elmer, 1990;Trollinger, 2003Trollinger, , 2004Wolf, 2012;Yarbrough, Bowers, & Benson, 1992), production of a familiar song with and without words (Adachi & Carlsen, 1995;Adachi & Trehub, 1998;Davidson, 1985;Trehub, Zhou, Plantinga, & Adachi, 2011), learning an unfamiliar song (Rutkowski, 1990(Rutkowski, , 2002Stadler Elmer, 2000, 2001, and the creation of an original song (Adachi & Trehub, 1999Davidson, 1985;Stadler Elmer & Hammer, 2001). What is unique about the ATBSS is the examination of all of these together and with the aim of doing this systematically across the lifespan, across levels of musical training, and across cultures.…”