Pretty in pink: David Antonio Cruz’s portrait of the florida girls

Abstract

Roused by the deaths of five African American transgender women in Florida in 2018, artist David Antonio Cruz intervenes in inaccurate media reports about these murders. Painting portrait of the florida girls in 2019, his diptych of significant scale and palette, confronts this senseless violence and challenges sensationalized coverage. This article centralizes his work arguing for the ways in which Cruz innovates transgender of color visibility through a queer of color critiquing of the portrait form and concerted use of a ‘blacktino’ optic. Ruminating on the combined tragedies of gun violence at Pulse nightclub and serial murder of trans femmes, Cruz’s work interrogates the posthumous transgender image with a reversal of digital source material and bodily logics in pose and countenance. By turning to the transnational crossroads shaping these communities’ shared horrors, central Florida, Cruz activates his audience with a sense of urgency in the persuasive power of pink.

Transgender and gender diverse consumers on navigating the stigmatized process of gender affirmation in the Central Plains USA

“…In this data set, being an ethnic minority, low on socioeconomic status, overweight or older in age may pose additional challenges to the gender affirmation journey. Research has shown that these identifiers often carry with them their own stigma and otherness and, therefore, can cause additional negative stress for the TGD individual (Garthe et al , 2020; Hernandez, 2020; Lazaro and Bacio, 2021; Lee et al , 2021; Cusack et al , 2022).…”

“…and gender diverse consumers their own stigma and otherness and, therefore, can cause additional negative stress for the TGD individual (Garthe et al, 2020;Hernandez, 2020;Lazaro and Bacio, 2021;Lee et al, 2021;Cusack et al, 2022).…”