2001
DOI: 10.1080/10632910109600003
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Preventing Art Education from Becoming “a Handmaiden to the Social Studies”

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Cited by 12 publications
(2 citation statements)
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“…In his discussion of a review of K–12 art teachers dealing with popular culture in their classrooms, Duncum (, 247), himself a historically strong advocate of critical pedagogy, argues that the approaches taken by many art educators have often been too simplistic, leading to learning outcomes that appear ‘to have more to do with a reforming zeal or advocacy than evidence’. This in turn can lead teachers to find themselves at risk of being accused of using their positions of authority to push their own political agendas (Eisner ; Freedman ; Pariser ; Stinespring ).…”
Section: Issues Concerning Artistic Freedom In the Classroommentioning
confidence: 99%
“…In his discussion of a review of K–12 art teachers dealing with popular culture in their classrooms, Duncum (, 247), himself a historically strong advocate of critical pedagogy, argues that the approaches taken by many art educators have often been too simplistic, leading to learning outcomes that appear ‘to have more to do with a reforming zeal or advocacy than evidence’. This in turn can lead teachers to find themselves at risk of being accused of using their positions of authority to push their own political agendas (Eisner ; Freedman ; Pariser ; Stinespring ).…”
Section: Issues Concerning Artistic Freedom In the Classroommentioning
confidence: 99%
“…The various factors involved, technological, philosophical, economic, political etc., are generally known to readers. I will therefore avoid going into an involved history lesson, and simply state that one of the results of this ground-shaking paradigm was that politics became an essential, some might say unavoidable, subject for artists to explore in their work (Fehr, 1997;Stinespring, 2001).…”
Section: The Politics Of Postmodernism: From Art To Art Educationmentioning
confidence: 99%