2005
DOI: 10.1179/019713605806082248
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Preventive Conservation Research and Practice at the British Museum

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Cited by 32 publications
(17 citation statements)
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“…Bynesian decay is the result of volatile acids, mainly acetic and formic acids, reacting with the calcium carbonate of shells and other carbonatic materials, such as some fossils. These acids result from the decomposition of wood and other components of the collection's storage media, such as paper, cardboard, cabinets, cases, drawers, and paints and varnishes (Tennent and Baird 1985, Bradley 2005, Sturm 2006. Acetic acid is formed naturally by the hydrolysis of the acetyl groups of the wood's hemicellulose, while formaldehyde (the precursor of formic acid) is originated by degradation of lignin or urea-formaldehyde based resins, commonly employed as adhesive in composite wood (Berndt 1987, Bradley 2005.…”
Section: Physicochemical Processesmentioning
confidence: 99%
See 1 more Smart Citation
“…Bynesian decay is the result of volatile acids, mainly acetic and formic acids, reacting with the calcium carbonate of shells and other carbonatic materials, such as some fossils. These acids result from the decomposition of wood and other components of the collection's storage media, such as paper, cardboard, cabinets, cases, drawers, and paints and varnishes (Tennent and Baird 1985, Bradley 2005, Sturm 2006. Acetic acid is formed naturally by the hydrolysis of the acetyl groups of the wood's hemicellulose, while formaldehyde (the precursor of formic acid) is originated by degradation of lignin or urea-formaldehyde based resins, commonly employed as adhesive in composite wood (Berndt 1987, Bradley 2005.…”
Section: Physicochemical Processesmentioning
confidence: 99%
“…Malacological collections, i.e., those containing molluscan shells, are of major concern, for the specimens are composed largely of calcium carbonate (CaCO 3 ), a compound that can deteriorate in the presence of acidic vapors (Sturm 2006). However, any other carbonatic specimens may also be damaged by acids: eggshells, carbonatic fossils, carbonatic minerals, rocks, and even archeological and historical art objects (Nicholls 1934, Tennent and Baird 1985, Shelton 1996, Ryhl-Svendsen 2001, Bradley 2005.…”
Section: Introductionmentioning
confidence: 99%
“…For example, reduced sulfur gases such as hydrogen sulfide (H 2 S) are known to be quite harmful to some artifacts because it creates tarnish on the surface of silver, black sulfides on copper alloy objects, and blackens white lead pigments [1]. For example, reduced sulfur gases such as hydrogen sulfide (H 2 S) are known to be quite harmful to some artifacts because it creates tarnish on the surface of silver, black sulfides on copper alloy objects, and blackens white lead pigments [1].…”
Section: Introductionmentioning
confidence: 99%
“…Embora para muitos autores a ação do formaldeído seja menos preocupante do que a dos ácidos acético e fórmico SVENSSON, 2007;TÉTREAULT et al, 2003;BRADLEY, S.;TICKET, 2010], Eremin [EREMIN, 2009] encontrou correlação entre a corrosão de Pb e a concentração de formaldeído, sugerindo que formaldeído é tão agressivo quanto, ou mais agressivo que, o ácido acético. Eremin ainda menciona que a umidade relativa nas galerias que estudou e que possuem objetos afetados é normalmente de 20 a 45% e enfatiza a questão da composição química do metal (composição da liga) na susceptibilidade à corrosão.…”
Section: Conclusões E Consideraçõesunclassified
“…Dessa maneira, Tarsila do Amaral teve papel decisivo no modernismo brasileiro. Outras informações bibliográficas, assim como o catálogo de obras da artista, estão disponíveis na internet [www.tarsiladoamaral.com.br].Como já enfatizado, a intervenção das ciências exatas na arqueologia e nas artes possibilita uma análise mais criteriosa na autenticidade de obrasBENOY, 2007], na conservação preventiva[FLEMING, 1986;BRADLEY; TICKET, 2010;THICKETT;LEE, 2004;BRADLEY, 2005] e na restauração das mesmas [iii], sendo que o uso da espectroscopia Raman como ferramenta analítica tem aumentado significativamente nos últimos anos [VANDENABEELE; EDWARDS, 2006].Nos estudos tanto de conservação preventiva quanto de análise forense e restauração há, principalmente, um elevado interesse no uso de técnicas que não sejam destrutivas ou , visto o elevado valor agregado aos bens analisados. Além disso, é de interesse que a técnica apresente uma seletividade criteriosa permitindo a identificação dos componentes que constituem a obra, visto que frequentemente a mesma apresenta misturas de pigmentos para gerar uma única cor.A Tabela 2[CLARK, 1995] mostra vantagens e desvantagens de algumas técnicas comumente utilizadas em investigações de bens culturais.…”
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