“…82 In this context there was no room for the dangers of the foreign wife, and other characteristics were shaped to identify dangerous female action. 84 If, in the previous centuries, 'Un trait frappant est le peu de place accordé à la description de la difference', 85 it was precisely the differences, as visible signs that identified dangerous outsiders and that could be seen and listed as suspicious evidence of corruption, that led to Peter Damian's condemnation as foreigners of both the Constantinopolitan Maria and Sophia, the Tuscan. 83 At the same time, during the late tenth century, another stream of representations started to underline that local aristocracies may have developed specific customs.…”