Images linking 'LGBT' to sexually motivated crime are a common feature of reporting in the Indonesian online news media. Many images of what are dubbed 'gay sex parties' are depicted through a spectacle shaped by images produced in collaboration with the police, who play a crucial role in managing both in what ways LGBT is seen and by extension what is defined as belonging to the public sphere. These take the form of videos and photographs taken at police raids, press conferences and reconstructions filmed at the crime scene.Although same-sex sexual acts between consenting adults is not a crime in Indonesia, the 2008 Pornography Law and various regional regulations do provide scope for detaining and people on public decency grounds. However, the connection between sex and crime as a form of entertainment in which the police are central protagonists is shaped by histories of visual power that can be traced to the authoritarian New Order. . By contextualising and interpreting media images of a police raid on a 'gay sex party' in September 2020, I describe how the genre conventions and affective force of images of LGBT are central to the state's governance of the public sphere in Indonesia. Considering the relationship between sex, crime and entertainment helps to further consider the central role played by both unruly images and media power in regulating the boundaries of political participation and claims to justice.