2010
DOI: 10.1016/j.aeae.2010.10.006
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Private Collection of Seima-Turbino Bronzes From the Irtysh: The Tragedy of a Unique Site Destroyed by Unauthorized Excavations

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Cited by 8 publications
(2 citation statements)
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“…This is indisputable, so the evidence base tells us less about the existence of seagoing boats, but more perhaps about the nature of coastal archaeological preservation, developments in artistic traditions and how societies wished to project what was important to them. Whilst the Botai culture has provided no artistic portrayal horse husbandry, horse harnessing is depicted in bronze artifacts found of the Elunino Culture and Seima-Turbinsky complex of the Early Bronze Age in the Ob-Irtysh Region of Kazakhstan and Russia (Molodin and Neskorov, 2010;Kovtun, 2013;Merts, 2016). Horses, with a stocky neck and brushy mane -signature traits of Przewalski (Botai-lineage) horses -are depicted on the pommels of knife hilts often straining against reins.…”
Section: Challenges To Botai Domestication Evidencementioning
confidence: 99%
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“…This is indisputable, so the evidence base tells us less about the existence of seagoing boats, but more perhaps about the nature of coastal archaeological preservation, developments in artistic traditions and how societies wished to project what was important to them. Whilst the Botai culture has provided no artistic portrayal horse husbandry, horse harnessing is depicted in bronze artifacts found of the Elunino Culture and Seima-Turbinsky complex of the Early Bronze Age in the Ob-Irtysh Region of Kazakhstan and Russia (Molodin and Neskorov, 2010;Kovtun, 2013;Merts, 2016). Horses, with a stocky neck and brushy mane -signature traits of Przewalski (Botai-lineage) horses -are depicted on the pommels of knife hilts often straining against reins.…”
Section: Challenges To Botai Domestication Evidencementioning
confidence: 99%
“…A classic example recently discovered in North East Kazakhstan (Merts, 2016) can be seen in Figure 4. Another example from the Ob-Irtysh interfluve in Russia depicts two horses in parallel, both with reins (Molodin and Neskorov, 2010), whilst one depicts a person on the ground holding and pulling the reins (Kovtun, 2013), removing any doubt that control by harnessing is what is being depicted. The potential significance of these bronzes to horse domestication is only becoming apparent now that the geospatial and temporal dynamics of Botai-lineage and DOM2 horses has become more apparent from genomic work (Gaunitz et al, 2018;Librado et al, 2021).…”
Section: Challenges To Botai Domestication Evidencementioning
confidence: 99%