Proceedings of the IEEE 2000 National Aerospace and Electronics Conference. NAECON 2000. Engineering Tomorrow (Cat. No.00CH3709
DOI: 10.1109/naecon.2000.894970
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Processing color and complex data using mathematical morphology

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Cited by 11 publications
(11 citation statements)
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“…Figure 3(c) is the result obtained by applying the lexicographical approach, described in [3] and [20]. Figure 3(d) and represent the result obtained by applying the solutions described in [21] and [15] respectively. In figure 3(e), the result is obtained by the majority sorting scheme [12].…”
Section: Resultsmentioning
confidence: 99%
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“…Figure 3(c) is the result obtained by applying the lexicographical approach, described in [3] and [20]. Figure 3(d) and represent the result obtained by applying the solutions described in [21] and [15] respectively. In figure 3(e), the result is obtained by the majority sorting scheme [12].…”
Section: Resultsmentioning
confidence: 99%
“…In [14], the performance of some previously introduced morphological operators (which had used reduced ordering) has been compared and those operators have been mapped to a generic programming framework. Some morphological techniques that had appeared in the literature were reviewed in [21] and a new technique based on vector projections was introduced in that paper. In [22], a reduced ordering approach based on a new geometrical transformation has been introduced and its experimental results for contrast enhancement and edge detection have been reported.…”
Section: Introductionmentioning
confidence: 99%
“…Multivariate processing in color is generally approached in two major ways [24]. In marginal processing, each channel is processed independently, filtered using regular gray-scale morphology and then merged back into a single color image again.…”
Section: Introductionmentioning
confidence: 99%
“…Despite the absence of a widely accepted solution, the field of colour morphology has matured since the 1990s, and certain trends have started to form. More precisely, the use of polar (or phenomenal) colour spaces has been steadily spreading within the community [2,3,10,14,20]. However, their popularity, which is mainly due to the intuitiveness (from the point of view of human colour vision) of the luminance, hue and saturation based description of colour, is seriously shadowed by the problems related to the circular hue band.…”
Section: Introductionmentioning
confidence: 99%