During her lifespan as a survivor, Gizella could qualify as a human catalog of Holocaust experiences: Lodz ghetto, Red Army spy, tortured by the Gestapo, inmate at Majdanek death camp, left for dead amid a pile of corpses, then a Displaced Persons camp. Her presentations passionately narrated vivid vignettes that leapt randomly across places and times. Gizella sutured together her pastiche of recollections into an emotionally compelling patchwork.The metaphor of suturing describes an ongoing, often provisional, process of creatively recrafting personal and collective identity after extreme disruption. Suturing operates on several levels. Expressively, suturing describes the narrative path of this essay, juxtaposing distinctive individual testimonies to illustrate the