Productive fandom : intermediality and affective reception in fan cultures

Abstract

People interested in the research are advised to contact the author for the final version of the publication, or visit the DOI to the publisher's website.• The final author version and the galley proof are versions of the publication after peer review.• The final published version features the final layout of the paper including the volume, issue and page numbers. Link to publication General rightsCopyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights.• Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal. Conclusion Conclusion: Prospects for Fan StudiesChallenges of an Emerging Field Ethnographic Approaches Core Concepts and Findings Fan Identity Future of Fandom Bibliography of Fan Works Bibliography Summary Curriculum Vitae ACKNOWLEDGEMENTS I wish to thank all academics, fans and informants who have participated in this study and helped give shape to Productive Fandom. The various chapters have been presented at different sites including research networks, conferences and fan conventions. The feedback of readers and listeners was integral to advancing this project. I would like to thank my colleagues at Maastricht University at Arts, Media and Cultures. In particular, I thank our NWO team on Narrative Fan Practices, headed by Karin Wenz. Our interests amounted to the conference MASH 2013 where I profited from presenting my results to like-minded scholars. Likewise, I am indebted to the colleagues at Center of the Study of Digital Games and Play at Utrecht University where I resided as a guest lecturer for the Master in New Media and Digital Cultures. My office pals -Karlijn, Koen, Miranda and Kim -also supported me with their ethnographic expertise. Different research networks were vital to this project, in particular the Organization of Transformative Works (OTW), the Digital Games Research Association (DiGRA) and the Fan Studies Network (FSN). Their online support and conferences provided me an academic home. On a local level, the National Research School for Gender (NOG) and the Research School for Media Studies (RMeS) guided me through the research process. The annual Under the Mask conference for the study of play was another platform where I could present my work as early as 2010. I also profited from fan studies conferences held by ASCA, Interdisciplinary.net and the conference Narrative Minds and Virtual Worlds. I would like to thank the editors, reviewers and authors of the edited volumes and journals to which I contributed outcomes and selections of this book: Sherlock and Transmedia Fandom (Stein & Busse, 2013); The Compan...

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