2023
DOI: 10.1016/j.tate.2022.103940
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Promoting learning and interaction during choir rehearsal: A comparison of two conduction profiles

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Cited by 4 publications
(3 citation statements)
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“…This study analyzed the type of learning and interaction practices in different music groups. The methodology therefore had to be a multiple-case analysis (Pozo et al, 2022; see also Corbalán et al, 2023). At the same time, we wanted the comparisons between the groups to yield quantitative data, so we generated a system of analysis categories that would make such comparisons possible.…”
Section: Methodsmentioning
confidence: 99%
“…This study analyzed the type of learning and interaction practices in different music groups. The methodology therefore had to be a multiple-case analysis (Pozo et al, 2022; see also Corbalán et al, 2023). At the same time, we wanted the comparisons between the groups to yield quantitative data, so we generated a system of analysis categories that would make such comparisons possible.…”
Section: Methodsmentioning
confidence: 99%
“…The hierarchical nature of the traditional approach has been questioned for its potential to stifle creativity, hinder individual expression, and create a learning environment that may not be conducive to the holistic development of students. Furthermore, the emphasis on technical precision often overshadowed the development of other crucial skills such as critical listening, collaborative learning, and artistic interpretation [3] .…”
Section: Literature Reviewmentioning
confidence: 99%
“…Vocal pedagogy training is not often undertaken in sufficient depth by conductors (Smith & Sataloff, 2006), and singers can be confused by ineffectual and inaccurate imagery, which in the worst cases can compromise vocal health (Brown, 2021; Michaels, 2010;Williams, 2019.). The choral conductor's role encompasses a wide variety of skills, such as knowledge of repertoire, technical music skills, vocal pedagogy skills, and communication skills (Corbalan, Perez-Echeverria, & Pozo, 2023;Durrant, 2003;Emmons & Chase, 2006.). Each is unified through the central aim of producing the "most musically effective performance a choir is capable of" (Black, 2015, p.50).…”
mentioning
confidence: 99%