Japanese uses a variety of prosodic mechanisms to mark focal prominence, including local pitch range expansion, prosodic restructuring to set off the focal constituent, post-focal subordination, and prominence-lending boundary pitch movements, but (notably) not manipulation of accent. In this paper, we describe the Japanese intonation system within the Autosegmental-Metrical model of intonational phonology, and review these prosodic mechanisms that have been shown to mark focal prominence. We point out potentials for ambiguity in the prosodic parse, and discuss their larger implications for the development of a tenable general theory of prosody and its role in the marking of discourse structure. Venditti, Maekawa, & Beckman: Prominence marking in the Japanese intonation system.-p. 2 In this chapter, we will review the currently standard AM framework account of how the prosodic marking of prominence works in the Japanese system (in Section 3). We will show that, just as in the English prosodic system, there are several different prosodic mechanisms in Japanese for marking some constituents as having focal prominence and others as being relatively reduced and out of focus. We will then describe four phenomena that are the locus of lively discussion and controversy in the further development of this AM framework account (in Section 4), before discussing the larger implications that these phenomena have for the development of a tenable general theory of the role of prosody in the marking of discourse prominence (in Section 5). Before we begin this description, however, we need to make explicit some assumptions about what prosody is and about the nature of phonetic representations that we use to study it. An understanding of these assumptions is essential background for understanding the AM framework description of Japanese. Section 2 lays out this background. 2 Elements of an AM description of Japanese intonation In describing the prominence-marking mechanisms of Japanese, we will use the account of the Japanese intonation system that is encoded in the X-JToBI labeling conventions (Maekawa et al., 2002). These conventions build on the earlier J_ToBI conventions described by Venditti (1997, 2005), adding tags for elements of intonation contours that have not been noted in the previous literature in English, although they are observed even in relatively formal spontaneous speech such as the conference presentations in the Corpus of Spontaneous Japanese (henceforth "CSJ"; Maekawa 2003, Kokuritsu Kokugo Kenkyuujo [National Institute for Japanese Language] 2006). Both the original and the expanded tag set are intended to describe intonation contours for standard (Tokyo) Japanese. The intonation systems of other dialects are known to differ, some rather dramatically. However, they have either not been studied at all (most regional dialects) or have been studied less extensively (e.g., the Osaka system, as described by Kori (1987) and others). Both tag sets also assume a description couched in the AM framework. 2.1 The AM f...