2012
DOI: 10.1017/s0007087412001112
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Protect/Protest: British nuclear fiction of the 1980s

Abstract: Analyses of nuclear fiction have tended to focus on the literature of the United States, particularly that of the 1950s. This article not only switches attention to British literature, but makes the case for the 1980s as a nuclear decade, arguing that the late Cold War context, especially renewed fears of global conflict, produced a distinctive nuclear literature and culture. Taking its cue from E.P. Thompson's rewriting of the British government's civil-defence slogan, 'Protect and Survive', as 'Protest and S… Show more

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Cited by 10 publications
(3 citation statements)
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“…While these two subjective and diametrically opposed positions rightly suggest a polarization of British opinion on the nuclear weapons issue in the early 1980s, an investigation into the politics of the unknown around the nuclear threat should move beyond such a binary “Protect/Protest” opposition (Cordle, , pp. 656–659).…”
Section: Uncertainty and The Nuclear Threatmentioning
confidence: 99%
“…While these two subjective and diametrically opposed positions rightly suggest a polarization of British opinion on the nuclear weapons issue in the early 1980s, an investigation into the politics of the unknown around the nuclear threat should move beyond such a binary “Protect/Protest” opposition (Cordle, , pp. 656–659).…”
Section: Uncertainty and The Nuclear Threatmentioning
confidence: 99%
“…Bingham gives attention to the role of popular British newspapers in shaping the nuclear culture of the postwar period. Cordle offers an analysis of Britain's distinctive nuclear literature and culture during the 1980s.…”
Section: Post‐1945mentioning
confidence: 99%
“…Here, the article diverts from current main historiographical trends that focus on the propagandistic, emotional and legitimizing function of civil defence or on popular resistance to civil defence. 10 The article builds on works of scholars who have rooted their civil defence histories within specific places. 11 I insist, however, on the intimate connection between locality, materiality and imaginaries.…”
mentioning
confidence: 99%