Second International Conference on Web Delivering of Music, 2002. WEDELMUSIC 2002. Proceedings.
DOI: 10.1109/wdm.2002.1176188
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Public sound objects: a shared musical space on the web

Abstract: In this paper we describe "The Public Sound Objects" project and its context. This project, which is currently under development, approaches Internet collaborative music performance, going beyond most common paradigms where the network is mainly used as a channel to provide a connection between performative spaces. The system will provide an on-line public performance space where people can be found participating in an ongoing collaborative sonic event. The users connected to this installation control a server… Show more

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Cited by 8 publications
(7 citation statements)
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“…In related work of synchronous system, there is hardly a case study, as for many research only proposed the new interface [6] [7]. These researches are differently circumstanced to this study, which we evaluate the musical quality and analyze the collaborative composition process, while the system to stimulate the musical idea and facilitate on the process of collaborative composition.…”
Section: Related Workmentioning
confidence: 99%
“…In related work of synchronous system, there is hardly a case study, as for many research only proposed the new interface [6] [7]. These researches are differently circumstanced to this study, which we evaluate the musical quality and analyze the collaborative composition process, while the system to stimulate the musical idea and facilitate on the process of collaborative composition.…”
Section: Related Workmentioning
confidence: 99%
“…Studies, to some extent, have considered sound as a constituent of digital media forms. For music, beyond the much publicized and controversial issue of sharing already existing files (Leyshon, Webb, French, Thrift, & Crewe, 2005), one potential use of the internet is online collaborative music making and performances (Barbosa & Kaltenbrunner, 2002). Sound art, more generally, has gained specific digital resources (Greene, 2003;Paul, 2003).…”
Section: Media Of the Third Degreementioning
confidence: 99%
“…Barbosa labels such works 'shared sonic environments' and defines them as 'a new class of emerging applications that explore the Internet's distributed and shared nature [and] are addressed to broad audiences' (Barbosa 2003: 58). As examples, he cites WebDrum (Burk 1999), where online participants collaboratively alter settings on a drum machine; MP3Q (Tanaka 2000), where users collectively manipulate MP3 files with a 3D interface; and Public Sound Objects (Barbosa and Kaltenbrunner 2002), an open-ended architecture for the creation of shared sonic environments.…”
Section: Historical Backgroundmentioning
confidence: 99%