This paper focuses on the production and transformation of homosexual identities inChengdu under the background of Chinese society in transition. From a constructionist perspective, I complicate the identity construction process by examining the interaction of three male homosexual identities found in the local context -piao piao, tongzhi, and gay. While gay men in present-day Chengdu often use piao piao, tongzhi, and gay interchangeably, these terms entail different cultural references and political connotations. I argue that the piao piao identity serves as a critical linkage between the traditional imagination of male homosexuality and the modern gay identities, while the tongzhi identity facilitates the shift of Chinese homosexuality from behavior to identity, and contributes to the development of gay communities in present-day China.K EYWORDS : piao piao , gender identity, homosexuality, Chengdu Current scholarship has noted the development of homosexual identity in China. The globalization of Euro -American modernity results in the spread of a universal gay identity and 'common consciousness' across the globe. Under the influence of transnational gay networks, modern gay identities emerged in Chinese metropolises during the 1990s. In particular, tongzhi became an identity term widely adopted by the Chinese homosexual population. Although it is often argued that tongzhi serves as an indigenous Chinese gay identity, it is actually a recent invention by gay activists in Hong Kong. For me, tongzhi cannot completely count as an indigenous identity; rather, a localized appropriation of the western gay identity. In this paper, I will complicate the identity construction process by examining the interaction of three male homosexual identities i.e. piao piao , tongzhi , and gay in contemporary Chengdu, giving special attention to piao piao , the identity adopted by local homosexual men prior to the emergence of tongzhi as the predominant Chinese gay identity. I argue that the piao piao identity in the local context serves as a critical linkage between the traditional imagination of male homosexuality and the modern gay and tongzhi identities.