Abstract:This article analyses the representation of affective phenomena brought into play in Charles de Villers’ Le magnétiseur amoureux (1787) as it helps to better understand the historical transition from the Galenic conception of the passions of the soul to the cerebral interpretation of emotions. While feelings became the condition of possibility in the occurrence of the therapy, passion is identified as the cause of the young woman’s illness, Caroline, who according to the interpretation proposed in this article… Show more
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