Quantum Computing in the Arts and Humanities 2022
DOI: 10.1007/978-3-030-95538-0_6
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Quanta in Sound, the Sound of Quanta: A Voice-Informed Quantum Theoretical Perspective on Sound

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Cited by 4 publications
(2 citation statements)
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“…In the auditory domain, it has been shown that any sound phenomenon can be potentially expressed and described as the evolution of a superposition of psychoacoustic states, i.e., low-high pitch, dull-bright turbulence, and slow-fast pulsations [48]. Further, the perceptual ambiguity of Shepard-tone [45] music has been recently explained in terms of quantum measurement (i.e., listening) and superposition of quantum states [43], whose behavioral evidence has been linked to pupil dilation [44].…”
Section: Ambiguity In Design Designs Overlap In Quantum Mechanicsmentioning
confidence: 99%
“…In the auditory domain, it has been shown that any sound phenomenon can be potentially expressed and described as the evolution of a superposition of psychoacoustic states, i.e., low-high pitch, dull-bright turbulence, and slow-fast pulsations [48]. Further, the perceptual ambiguity of Shepard-tone [45] music has been recently explained in terms of quantum measurement (i.e., listening) and superposition of quantum states [43], whose behavioral evidence has been linked to pupil dilation [44].…”
Section: Ambiguity In Design Designs Overlap In Quantum Mechanicsmentioning
confidence: 99%
“…Therefore, ever-evolving quantum computing technologies will continue to impact how we create, perform, listen and commercialize music in time to come. In the newborn field of Quantum Computer Music [19,23,28,33,35], researchers and practitioners are exploring ways to leverage the quantum-mechanical nature of quantum computing to compose, perform, analyse and synthesise music and sound.…”
Section: Introductionmentioning
confidence: 99%