2021
DOI: 10.1016/j.culher.2020.09.004
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Quantitative and qualitative assessment of VOCs emitted from cellulose acetate movie films by PTR-ToF-MS

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Cited by 7 publications
(4 citation statements)
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“…[ 55 ] This is of strong interest to museums, libraries, and archives, to better preserve heritage objects that are sensitive to acid vapors (metal, ceramic, limestone, glass, among others) as well as emissive objects such as cellulose acetate‐based artifacts by protecting them from auto‐catalytic degradation. [ 80 ] The use of an adsorbent paper composite offers many advantages for this application, where the use of powdery or powdery materials presents risks of contamination or soiling of artifacts.…”
Section: Resultsmentioning
confidence: 99%
“…[ 55 ] This is of strong interest to museums, libraries, and archives, to better preserve heritage objects that are sensitive to acid vapors (metal, ceramic, limestone, glass, among others) as well as emissive objects such as cellulose acetate‐based artifacts by protecting them from auto‐catalytic degradation. [ 80 ] The use of an adsorbent paper composite offers many advantages for this application, where the use of powdery or powdery materials presents risks of contamination or soiling of artifacts.…”
Section: Resultsmentioning
confidence: 99%
“…To provide an accurate, real-time estimation of the amount of acetic acid accumulating during cellulose acetate films degradation, it was necessary firstly to identify the most common species released by the film during the degradation process. From literature sources [22][23][24][25][26], it was found that the average cellulose film degradation releases short organic acids (used for cellulose esterification, mainly acetic acid), various solvents using during the film manufacture, and residues of products used in conservation treatments (mainly butanol, used as antifungal treatment).…”
Section: Selection Of Gas Sensorsmentioning
confidence: 99%
“…Plastics in collections are challenging to preserve, as they tend to degrade faster than other materials found in artworks [9][10][11][12][13][14][15][16][17]. Synthetic organic/inorganic pigments also have stability issues [18][19][20][21][22][23][24][25] and their alteration in modern polymeric paints continues to be a subject of ongoing research in art conservation [26][27][28][29][30][31].…”
Section: Introductionmentioning
confidence: 99%