Raised Eyebrows

Minkin, Louisa

doi:10.1017/s0959774316000512

CAJ

2017

DOI: 10.1017/s0959774316000512

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Raised Eyebrows

Louisa Minkin¹

Abstract: I'm standing in front of a ‘painting’ by Niki de Saint Phalle called ‘Green Sky’. It happens that I'm standing in front of it in Tokyo where the intense nihon-spectral activity on my eu-retina might indeed make the sky green.

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2021

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Track and Trace, and Other Collaborative Art/Archaeology Bubbles in the Phygital Pandemic

Reilly

Dawson

2021

Open Archaeology

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This paper describes our creative responses to a surface assemblage (a scatter) of lithic artefacts encountered on either side of a worn track across a field early on in the pandemic. Our art/archaeology response takes place within a phygital nexus in which artefacts or assemblages can be instantiated either physically or digitally, or both. In the nexus we create, connect and explore an ontological multiplicity of – more or less – physical and digital skeuomorphs and other more standard forms of records for sharing (i.e. Latour’s immutable mobiles, such as photographs), but rendered with radically different properties and affordances, at different scales, with different apparatus. These include interactive Reflectance Transformation Images, graphical surface models, machine intelligence style transfer, and 3D prints, all of which were produced in a variety of isolated analytical “bubble” settings and transmitted to and from (both digitally and physically) a home office in an isolated Hampshire village and a home studio in a London suburb. Our approach is to describe, diffractively, the ontological shifts and itineraries associated with some of these objects and assess how this assemblage came to matter as an art/archaeology installation. Ultimately, some of these deterritorialised, (re)colourised, affective, biodegradable, and diffractively born metamorphic instars, now inscribed with new meanings, are returned to the original findspot of the lithics to be (re)discovered.

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Track and Trace, and Other Collaborative Art/Archaeology Bubbles in the Phygital Pandemic

Reilly

Dawson

2021

Open Archaeology

View full text Add to dashboard Cite

show abstract

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Raised Eyebrows

Abstract: I'm standing in front of a ‘painting’ by Niki de Saint Phalle called ‘Green Sky’. It happens that I'm standing in front of it in Tokyo where the intense nihon-spectral activity on my eu-retina might indeed make the sky green.

Cited by 1 publication

References 0 publications

Track and Trace, and Other Collaborative Art/Archaeology Bubbles in the Phygital Pandemic

Track and Trace, and Other Collaborative Art/Archaeology Bubbles in the Phygital Pandemic

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